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DEEP RIVER

Japanese writer Endo (The Final Martyrs, 1994, etc.) continues his exploration of faith and anomie—in a deceptively simple and well-told story of spiritual inquiry that movingly explores all the big questions. The opening pages briefly introduce four people who will shortly, for varying reasons, join a Japanese tour-group travelling to India: Isobe, a businessman whose deceased wife, believing she would ``be reborn somewhere in this world,'' made him promise he would look for her; Mitsuko, a volunteer at the dead woman's hospital, who is troubled by her own past and her obsession with a former classmate; retired industrialist Kiguchi, still haunted by wartime memories of Burma's notorious Highway of Death; and Numanda, a gentle writer of children's books who wants to repay his debt to the bird that saved his life when he was desperately ill. The book investigates the role religion plays in contemporary Japan, where relatives attending a funeral politely question the Buddhist priest conducting the service, while ``not one of them really believed anything the priest was saying.'' As the trip gets under way, more disquiets are explored: Isobe can't forget how he ignored his wife when she was alive; Mitsuko hungers for love but can't abandon her cynicism; Kiguchi recalls a fellow veteran who saved his life by eating human flesh but then drank himself to death trying to forget what he had done; and Numanda muses on the central role nature has played in his life. The four finally experience their epiphanies on the banks of the Ganges at Varanasi, where the old and afflicted come to die and the faithful immerse themselves in the river. In this richly detailed setting, Endo offers a faith that, using the river as metaphor, comfortingly blends all the great religions together. Conflicts a bit too neatly resolved, but saved from mawkishness by strong and original characters.

Pub Date: April 1, 1995

ISBN: 0-8112-1289-0

Page Count: 224

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1995

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THE CONVERT

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

A Christian woman and a Jewish man fall in love in medieval France.

In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-4708-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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