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A FAMILY FOR OLD MILL FARM

Two enthusiastic realtors offer different spins on the same dilapidated, but lovely rural property as their clients search for the perfect home. While a fast-talking human realtor in red coat and high heels extols the virtues of Breezy Lake Lodge, Dry River Ranch, Rocky Point Lighthouse, Mountain Peek Perch, Briarwood Cabin and Prairie Place Park to a human family, a raccoon realtor in trench coat and bowtie urges families of finches, ducks, cats, rabbits, foxes and deer to settle down on Old Mill Farm. The human realtor strikes out with every inappropriate property she shows, but raccoon’s clients find cozy Old Mill Farm the “perfect” venue to raise their babies. And when the human realtor finally takes her prospective buyers to see homey Old Mill Farm, they, too, pronounce it “perfect.” This lighthearted real-estate review rendered in verse text and amusing watercolor and digital-media illustrations eventually unites human and animal buyers in the pastoral perfection of Old Mill Farm. (Picture book. 5-8)

Pub Date: May 21, 2007

ISBN: 978-0-618-42846-5

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2007

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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