These philosophical, melancholic, darkly funny tales merit a place beside those of Kafka, Borges, and Calvino.
In these 18 short stories, written between 1920 and 1940, Russian writer Krzhizhanovsky turns a sardonic eye on history, God, philosophy, the early days of the Soviet Union, and the writer's fate.
After the title character dies in "Comrade Punt," his pants continue to perform his office job so well they are given a promotion. In "The Gray Fedora," a nihilistic thought jumps from a man's head into his new hat. When the fedora is mistakenly worn by the wife's lover, it causes his suicide, then floats downriver and continues to infect anyone who puts it on with a feeling of utter pointlessness. In these stories, thoughts and ideas have lives of their own. Literally. ("Only half-inhabited, like a hamlet after the plague, the old man's brain was thinly populated with thought-invalids and thought-pensioners.") In "The Life and Opinions of a Thought," the struggle of putting an idea into words is told from the point of view of a line by Immanuel Kant. In "Paper Loses Patience," the letters of the alphabet stage a rebellion, abandoning their posts in books, in newspapers, on signs. In "God is Dead," Nietzsche's statement is taken literally; the Almighty dies, long after people have stopped believing in Him, in the year 2204, with surprising consequences. Erudite, playful, wry, these stories are concerned with human failure and the failure of language itself: "We all understand each other by syllables...we don't know how to read someone else's feelings, the essence hidden in the word." They are also darkly funny. A parrot that sings “La Marseillaise,” subjected to the vicissitudes of war, is described as having "the look of an atheist selling indulgences." In the title story, a narrator who eschews the title of writer sends letters to strangers. "What, you may ask, makes me drink? A sober attitude toward reality." He addresses an unknown fellow insomniac whose window stays lighted throughout the night: "This new socialist property must be carefully and exhaustively studied. I'm doing this as best I can." Krzhizhanovsky died in 1950, his work all but unpublished in his lifetime. We are lucky to have the fruit of his exhaustive study available now; as his letter writer says, "We all live on history's Unwitting Street."
These philosophical, melancholic, darkly funny tales merit a place beside those of Kafka, Borges, and Calvino.Pub Date: Aug. 18, 2020
ISBN: 978-1-68137-488-8
Page Count: 184
Publisher: New York Review Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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