A compelling case for an unorthodox solution to a widespread health care problem.
Fry-Revere (The Accountability of Bioethics Committees and Consultants, 1993), the founder of a nonprofit bioethics think tank, goes to Iran to study the effects of legalizing compensation for organ donors.
Many Westerners may be shocked to learn that, as untold thousands of Americans die while waiting to receive donated organs, Iran has so many people who want to sell their kidneys that they must get on a waiting list. Fry-Revere, the founder of the U.S.-based Center for Ethical Solutions, writes that “the United States is struggling with a problem Iran seems to have solved.” Her book aims to provide readers with “insights into the ethical complexities of living organ donation.” The book is partly a scholarly study of organ donation, partly a humorous personal history, and partly a poignant, in-depth look at Iran, following the author as she recounts her trip there and the emotional transformation she underwent. The author has impressive academic credentials, including teaching bioethics and law at the University of Virginia and George Mason University, but she’s also passionately connected to this book’s issue, which has affected her personally; her son lost a kidney to cancer at a young age. Her narration proves more than capable, as her intelligence and intriguing ethical sense bring her sentences to life. She also adds personal touches; in one paragraph, she describes U.S. State Department travel warnings regarding Iran, and in the next, she relates a nightmare she had, caused by these warnings. Throughout the book, however, kidney donation remains the central focus. She interviews Iranians who sold their kidneys so they could help their families while saving a life at the same time. The issue of economic injustice soon comes into play; Fry-Revere says that some people balk at the idea of selling human organs, believing that “the United States and other countries took a stand against exploiting the poor.” Her subject matter may be somewhat controversial, but her analysis is undeniably worth reading.
A compelling case for an unorthodox solution to a widespread health care problem.Pub Date: March 1, 2014
ISBN: 978-1-61163-512-6
Page Count: 254
Publisher: Carolina Academic Press
Review Posted Online: Jan. 31, 2014
Kirkus Reviews Issue: March 1, 2014
Review Program: Kirkus Indie
A welcome pinprick in the bloated hot air balloon of management advice–should accompany The 8th Habit or Raving Fans in the...
A necessary icy dash of pessimism in the warm sea of feckless optimism that is the business management genre.
Like Machiavelli's The Prince or Swift's Gulliver's Travels, this parody of "Business Inspiration" contains more verisimilitude on one page than does an entire library penned by Steven Covey. Remaining a shadowy figure throughout, Kersten looks out from the author photo–rendered as a Wall Street Journal pen-and-ink portrait–with a heavenward gaze that rivals that of Ralph Reed seeking divine guidance. Credit him with the ability to couch the actual facts of most business organizations in jargon that even a Ph.D. would understand. Kersten’s essential point is that most businesses, seduced by the pernicious myth of the "Noble Employee," waste precious time and ungodly sums of money attempting to transform mediocre wage slaves into superstars. This is wrongthink, he avers. Not only can you not teach a pig to sing, but in so attempting, you sacrifice a lot of bacon. Passive, dependent, unmotivated employees are easier to exploit and require relatively low maintenance. Accordingly, managers who spoil employees by boosting their self-esteem are only contributing to employee narcissism. Employees must be put squarely in their place–in Kersten’s world, this falls somewhere between medieval serfdom and indentured servitude. Radically demotivating employees includes such techniques as creative amnesia–"forgetting" employees’ names and contributions; also, managers should respond impersonally to employees, refraining from sharing or engaging in eye contact or emotional displays. Kersten even advocates physical "cleansing" after employee contact–make sure to apply antibacterial liquid after an employee handshake.
A welcome pinprick in the bloated hot air balloon of management advice–should accompany The 8th Habit or Raving Fans in the same manner that The Wealth of Nations should accompany Das Kapital.Pub Date: N/A
ISBN: 1-892503-40-0
Page Count: -
Publisher: N/A
Review Posted Online: May 27, 2010
Review Program: Kirkus Indie
A ramshackle biography of the legendary jazz innovator. Gourse (Madame Jazz, 1995, etc.) has researched Monk's life thoroughly, interviewing his surviving family members and musical cohorts, as well as combing the archives for contemporary profiles and reviews of his work. Sadly, however, there's insufficient narrative thread here to stitch together Gourse's assemblage of quotes. Monk grew up in New York City; by 1934, when he was 16, he had dropped out of school to devote his full attention to the piano. After touring the country with a gospel group, he returned to New York and began experimenting with his uniquely personal tonal and rhythmic language, often identified as the essential ammunition of the bebop revolution. While Monk profoundly influenced Dizzy Gillespie and Miles Davis, it wasn't until the late '50s that his seminal gigs at Manhattan's Five Spot garnered him full public recognition as a musician and composer. He was equally famous for his eccentricities: Generally late for his performances, he often left the piano and danced around the stage, letting the ever-changing members of his quartet supply the music. In private, Monk was notoriously taciturn, and occasionally he would experience episodes of complete withdrawal that required his hospitalization. Gourse entertains the idle speculations of many nonexpert acquaintances about the causes of his behavior, but the conclusion she seems to support—possible extensive use of unspecified drugs, complicated by genius—is vague. And about Monk's music the author offers silly tautologies like, ``In the aggregate, his songs comprised an oeuvre, each a commentary on his unique universe of sound.'' The book's obvious title, already used for a Monk documentary, is a perfect tipoff that Gourse has little to say about her subject that is imaginative or useful. (photos, not seen)
Pub Date: Oct. 1, 1997
ISBN: 0-02-864656-8
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1997
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