None
The promise Nunez revealed in her acclaimed 1995 debut, A Feather on the Breath of God, is here fulfilled and magnified, as she follows the struggles of a woman to know her father and understand herself, labors that imperil her once secure marriage. Nona, little loved as a child and a pill-dependent insomniac as an adult, has found a measure of happiness hitherto unknown in her five-year marriage to Roy, with whom she shares a love of music and New York City life. Trouble erupts, however, during a monthlong visit to a friend's country estate, to which she retreats to work on a book about her father—an artist long dead, but out of her life even before that—when she meets brooding, handsome English prof Lyle and inexplicably finds herself opening up to him. He swamps her with love letters when they return to their respective homes, until she decides to visit him for a weekend in Tucson. His passion proves to have been written with disappearing ink, but back in New York, Nona finds that her marriage has slipped its moorings in her absence: She and Roy separate with rapidly dwindling hopes of reconciliation. In despair, she picks up the book project again, contacting her father's last lover, a man, who warms to her and reveals a side of daddy she never knew. She draws some comfort from her emerging knowledge of her father. Yoga and meditation, along with a dog, also provide comfort, enabling her to cope with a near- miss from breast cancer, and when Ray proposes a honeymoon they never had, she finds herself ready, tentatively, to begin again—a decision sorely tested when yet another unexpected disaster disrupts their lives. No dazzling, high-powered dynamics here, but, rather, a steady, superbly insightful study of a life as quietly complex as the reader's own: a tale that touches the heart of what it is to be human. ($30,000 ad/promo; author tour)
None NonePub Date: Sept. 1, 1996
ISBN: 0-06-017276-2
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
The previous books of this author (Devil of a State, 1962; The Right to an Answer, 1961) had valid points of satire, some humor, and a contemporary view, but here the picture is all out—from a time in the future to an argot that makes such demands on the reader that no one could care less after the first two pages.
If anyone geta beyond that—this is the first person story of Alex, a teen-age hoodlum, who, in step with his times, viddies himself and the world around him without a care for law, decency, honesty; whose autobiographical language has droogies to follow his orders, wallow in his hate and murder moods, accents the vonof human hole products. Betrayed by his dictatorial demands by a policing of his violence, he is committed when an old lady dies after an attack; he kills again in prison; he submits to a new method that will destroy his criminal impulses; blameless, he is returned to a world that visits immediate retribution on him; he is, when an accidental propulsion to death does not destroy him, foisted upon society once more in his original state of sin.
What happens to Alex is terrible but it is worse for the reader.
Pub Date: Jan. 8, 1962
ISBN: 0393928098
Page Count: 357
Publisher: Norton
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Jan. 1, 1962
SEEN & HEARD
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.
Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”
A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.Pub Date: April 9, 2001
ISBN: 0-06-018526-0
Page Count: 80
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
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