Dryly funny and deeply tender; draining and worth it.
A woman is enlisted to help a dying friend commit suicide in Nunez’s latest novel, which—true to form—is short, sharp, and quietly brutal.
Nunez returns to many of the topics she mined in The Friend, which won the National Book Award for Fiction in 2018: the meaning of life, the nature of death, writing, the purpose of friendship. This is hardly a criticism; in fact, what else is there? The novel, spare and elegant and immediate, often feeling closer to essay than fiction, is as much about its unnamed narrator’s thoughts as the events of her life (is there a difference?). To the extent there is a “plot”—less a “plot” than “circumstances to inspire thinking”—it is this: A writer in late middle age goes to another city to visit an old friend who is sick. Later, when it becomes clear that the friend’s condition is terminal, she enlists our narrator to assist her in ending her life. Not to help with the actual dying part—“I know what to do,” she quips. “It’s not complicated”—but rather with everything that should happen in the interim. What she wants is to rent a house for the end, nothing special, “just somewhere I can be peaceful and do the last things that need to be done.” And she would like our narrator to be there. “I can’t be completely alone,” she explains. “What if something goes wrong? What if everything goes wrong?” She will, she promises “make it as much fun as possible.” Reluctantly, the narrator agrees. Most of the novel, though, is not about this, or at least not directly. Instead, the narrator considers her past and her present. She attends the doomsday climate lecture of an ex-boyfriend. She thinks about an unpleasant neighbor. She recounts, delightfully and in great detail, the plot of a murder mystery she is reading and then circles back to the trauma of aging, for everyone, and especially for women. The novel is concerned with the biggest possible questions and confronts them so bluntly it is sometimes jarring: How should we live in the face of so much suffering?
Dryly funny and deeply tender; draining and worth it.Pub Date: Sept. 8, 2020
ISBN: 978-0-593-19141-5
Page Count: 224
Publisher: Riverhead
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
PERSPECTIVES
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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