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REPTILE MEMOIRS

An original but flawed thriller that never rises to the level of chilly.

In this debut novel from Norway, an 11-year-old girl goes missing more than a decade after connected events involving a troubled young woman who sleeps with her pet python.

The little girl, Iben, disappears from a supermarket in 2017 after her mother, Mariam, refuses to buy her a zombie comic book. Mariam, who is married to a politician, responds strangely to the disappearance, which is investigated, along with Mariam's behavior, by an aging cop with a checkered past. Back in 2003, Liv, who was abused by her older brother when they were kids (she was then known as Sara—not her last name change), finds solace—and sexual gratification—in the scaly company of her demanding python, Nero, who must be fed with ever larger living things. Her human friend Anita, a new mother beaten by her husband, turns to Liv for help. Mariam later becomes part of this vicious cycle when she is raped, resulting in the birth of her daughter. Ulstein's provocative treatment of brutal male behavior, including an approving reference to female spiders devouring their male partners, can be powerful. But populated by many unpleasant characters doing unpleasant things, the novel loses focus at critical times. It's not enough that the increasingly large and hungry Nero commits an unmentionable nasty incident that upstages everything. Ulstein also feels compelled to include periodic first-person commentary from the python, who ironically but not inaccurately calls Liz "the cold woman."

An original but flawed thriller that never rises to the level of chilly.

Pub Date: March 15, 2022

ISBN: 978-0-8021-5886-4

Page Count: 400

Publisher: Grove

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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