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PASTA

THE STORY OF A UNIVERSAL FOOD

Sometimes endlessly informative (for instance, on pasta-making machinery) as it offers more in the way of pasta history than...

Scholarly investigation of the quintessentially Italian carbohydrate.

Quintessentially, but not originally. Food historian Serventi and French social scientist Sabban cannot precisely pinpoint the inventor(s) of pasta and take perhaps overmuch time at the outset laying out reasons why. Shards of linguistic evidence point to an Arabic origin, as does the fact that Sicily was a center of Islamic culture and commerce in antiquity. The idea of Marco Polo returning from China with a bowl of spaghetti is once again debunked with finality, but the roots of bing (ancient Chinese for wheat flour dough) in that part of the world are also plumbed. The authors aim to reveal pasta as a cultural hallmark that spawned a major industry, not to deliver new recipes; however, an extensive section on gastronomy over the ages reveals much. For instance, Italians spent nearly a millennium eating pasta, whether in the form of capelli di pagliacci (clowns’ hats) or strozzaprieti (priest stranglers), cooked until it nearly fell apart and served without any tomato sauce. Available since the 16th century, the tomato was largely ignored in favor of sugar, cinnamon, and things like rendered lard until Neapolitans perfected salsa di pomodoro 300 years later; the term al dente was unheard of until after WWI. Emigration to America brought new phenomena: there were over 300 industrial-sized pasta factories in the States by the ’20s, and after WWII, bureaucrats knew the Marshall Plan was working when pasta exports to war-torn Europe, boosted almost a hundredfold from prewar levels, suddenly plummeted. In the 1960s, inhabitants of the immigrant-founded town of Roseto, Pennsylvania, were found strangely hale and hearty while vascular diseases ravaged the surrounding countryside, causing doctors en masse to endorse the “Mediterranean Diet” of olive oil, wine, and, of course, pasta.

Sometimes endlessly informative (for instance, on pasta-making machinery) as it offers more in the way of pasta history than most readers have even begun to imagine.

Pub Date: Jan. 1, 2003

ISBN: 0-231-12442-2

Page Count: 256

Publisher: Columbia Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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