A worthy picture-book primer on the Queen of Tejano music
Nearly 25 years after her death, the musical origin and cultural impact of Mexican American performer Selena Quintanilla are celebrated.
The story of Selena, as the singer and songwriter is still known, has been told before but not for so young an audience. López splits the difference between a fawning tribute and a straightforward recounting of accomplishments by working hard to paint the picture of the artist’s childhood and what led to her musical achievements. Amid Escobar’s exceptionally detailed illustrative work, it’s made clear how both the Quintanilla family’s immersion in music and Selena’s enduring work ethic led to her band’s success. There’s a lot of text in the book, but it’s smartly framed within two-page spreads, and very little of it feels extraneous. Fans new to Selena’s work may be surprised to learn that she was not a native speaker when she began performing in Spanish and that early in her career, sexism within the Tejano tradition was an issue. The artwork captures clothing and home furnishings of the time, such as Selena’s cassette tapes, her father’s guayabera shirts, and the singer’s iconic stage costumes. Not surprisingly, there’s not much dwelling on the circumstances of the singer’s murder other than an explainer page and a mention in a timeline in the backmatter, which also offers other cultural context. The simultaneously publishing Spanish edition is a solid and careful translation preserving information, context, and nuance. (This book was originally reviewed under the title Selena.)
A worthy picture-book primer on the Queen of Tejano music (Picture book/biography. 6-9)Pub Date: Aug. 25, 2020
ISBN: 978-1-4998-0977-0
Page Count: 48
Publisher: Little Bee Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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