Fortunately, these additions can be easily ignored or inflated according to taste, and full concentration given to the poem...
A die-cut hole approach to an old favorite that offers a view of the old lady's stomach and its expanding bestiary.
The text has the look of a ransom note (a touch the devoured creatures might appreciate), but the jaunty colors—set skipping by a judicious use of black—keep the dark side of the poem at bay. Those accustomed to the streamlined version of this ditty won't know what to make of the comments scattered throughout the pages, little asides quipped by animals not yet swallowed; these rhyme with the ``perhaps she'll die'' line of the poem.
Fortunately, these additions can be easily ignored or inflated according to taste, and full concentration given to the poem itself and the wild, eye-catching artwork: It is good fun to watch the old lady bulge and bloat, and the sheer corniness of the verse continues to be deeply gratifying. (Picture book. 4-8)Pub Date: Sept. 1, 1997
ISBN: 0-670-86939-2
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
Lowell and Cecil (Little Red Cowboy Hat, 1997) return to cowboy twists on nursery tales when they take Goldilocks and plunk her down in Montana in this spry retelling of a classic. Hewing to the original fairly closely, Lowell adds a few licks of her own: there’s Dusty Locks, a rapscallion who hasn’t taken a bath for a month of Sundays, and the bears are a family of grizzlies. Dusty raids the bears’ digs after they go for a walk while their beans are cooling. She scarfs the cub’s beans (the others are so spicy or too bland), busts the cub’s stool (by mistake), and takes to the cub’s bed when Papa Bear’s pile of prickly branches and Mama’s featherbed don’t suit her. When she awakens to the three bears staring down at her, she hightails it home and submits to a good washing. She’d never be recognized with her new sweet scent. Lowell trots out a good bunch of expressions—“cross as two sticks” and “no more manners than a pig in a peach orchard”—and the tale sparks with pert humor: When the bears find Dusty Locks sleeping in the cub’s bed, Mama Bear notes, “Smells mighty whiffy in here!” And though the story’s momentum is somewhat on the clunky side, the comedy keeps the wheels turning, as do Cecil’s pictures of goofy bears in cowboy boots and kerchiefs. (Picture book. 4-8)
Pub Date: May 1, 2001
ISBN: 0-8050-5862-1
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
In the manner of Lyon and Catalanotto's other visions of the past as immanent in the present (Who Came Down That Road?, 1992): a glimpse of the Anasazi as vividly imagined by a child visiting the ruins at Colorado's Mesa Verde. Moving quickly from the everyday reality of ``yucca, pinyon, juniper and tourists. It's all plain as beans'' to the awe inspired by the monochromatic ancient ruins tucked precariously into a cliff, Lyon's spare, poetic text is a dreamlike reverie animated with concrete details of Anasazi life. Meanwhile, Catalanotto's luminous watercolors, their edges artfully undefined, capture the desert light in a carefully muted palette with the effect of photos lovingly tinted by hand; the spread where the shadowy Anasazi and the modern visitors appear together is so carefully designed that the meaning is absolutely clear. A poignant conclusion powerfully evokes the hold that this extraordinary, long-deserted site exerts on anyone who has ever seen it: ``...and then one day / when even trees were hungry/[they] turned their backs/and let it go.'' The best yet from a uniquely gifted team. (Picture book. 4- 8)
Pub Date: March 1, 1993
ISBN: 0-531-05466-7
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
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