A gossipy, voyeuristic and reliably campy romp down the catwalks of the fashion asylum.
High-fashion hijinks from the outspoken “Creative Ambassador” for Barneys New York.
After spending much of his life working with reed-thin models and quick-tempered designers, raconteur Doonan’s (Gay Men Don’t Get Fat, 2012) skewering of the couture world comes from a place both of witnessing the industry’s stylistic evolution and playing a key part within it. If readers are to believe the author’s melodramatic musings, fashion designers date hustlers and porn stars, and models are “legendarily cheap,” yet each plays an integral part of the fabulous “flock.” Spliced between cleverly narrated bits about his window dressing days, “fashion superdeity” Anna Wintour, urine drinking, and his best friend, a psychologist (whose work “in a nuthouse” resembles life in the fashion industry), are colorfully realized profiles of iconic designers like visionary couture doyenne Diana Vreeland, Coco Chanel, Tom Ford and Doonan’s Fire Island “beach neighbor” Michael Kors. Some of his earlier recollections nod fondly at Manhattan’s pre–Rudy Giuliani halcyon days in the 1980s when he rubbed elbows with “illustrious fashionrati” like Madonna, Calvin Klein and Marc Jacobs at the Gaiety, a Times Square gay male burlesque theater. Collectively, Doonan’s writing here is less biting than previous forays and, to his credit, more concerned with sharing an engaging memory than being snarky. The author often pauses midstream in a digressive retreat from critical (but no less hilarious) commentary on particular people (style show host Elsa Klensch) or places (Japan) to remark on a genuine fondness for them. Though he quips, “you have to admit, my sweeping generalizations are always so much more exciting than facts,” these snappy essays find Doonan surprisingly more sincere and charming than ever.
A gossipy, voyeuristic and reliably campy romp down the catwalks of the fashion asylum.Pub Date: Sept. 3, 2013
ISBN: 978-0-399-16189-6
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: July 28, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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