A well-documented and entertaining glimpse into one small episode in typographic history.
Brief history of the eponymous typeface designed by an 18th-century printer.
Garfield, author of more than 20 nonfiction books, recounts the origins of this common typeface, its use, and the life of the man who invented it, John Baskerville. This book is a companion to two others—on the Albertus and Comic Sans typefaces—and follows Garfield’s Just My Type: A Book About Fonts. (Although font and typeface are often considered synonyms, a font is actually the weight of the typeface.) Launched in 1757, Baskerville is admired for its openness, clarity, and ability to produce an uncluttered and highly readable text. These qualities echo Baskerville the man’s early career as a teacher of cursive handwriting and as an importer who was adept at lacquering furniture, a highly skilled craft known as japanning that emblemized his perfectionist nature. His Baskerville alphabet and numbers, composed in 14 sizes in both roman and italic, took seven years to perfect. Using the typeface, Baskerville printed high-quality books, among them Virgil’s poetry, Charles Bowlker’s The Art of Angling, and a “magnificent Bible [that] failed to sell.” After Baskerville’s death, he and the typeface moved about; his body was buried, unearthed, lost, and then found and reburied, while the original steel punches were sold to a printer in Paris, moved to Germany, sold a few more times, and finally deposited in the Cambridge University library. Slow to be adopted, the typeface became “truly accepted” when reissued in the 1920s. Garfield is curious about the world and anxious to share his interests, making for a pleasant and informative read. No connection to the man or the typeface goes unmentioned, including an amateurish experiment in 2012 to determine if one typeface might appear more truthful than another. Baskerville beat five other candidates.
A well-documented and entertaining glimpse into one small episode in typographic history.Pub Date: Oct. 22, 2024
ISBN: 9781324086208
Page Count: 144
Publisher: Norton
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Oct. 1, 2024
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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