In other words, it takes all kinds. Another entertaining book from Garfield.
Garfield (Timekeepers: How the World Became Obsessed with Time, 2018, etc.) turns his attention to models and miniatures and other small things that grab and reward our attention.
“At its simplest, the miniature shows us how to see, learn and appreciate more with less,” concludes the author, following a tour of the world of miniatures that has encompassed model railroads (Rod Stewart and Neil Young are enthusiasts), model boats (including slave ships, which somehow magnify the horror), model houses, and even miniature towns and cities. The size and scale are less important than the relationship of standing for something bigger, so the author also discusses hotels on the Las Vegas strip, including the Bellagio, the Venetian, and Paris. “The more one speaks to those who have adopted Vegas as their home,” he writes, “the more one hears talk of Europe as the phantom and Vegas as the real deal.” Garfield begins and ends with the Eiffel Tower—not because of its impressive architecture or the perspective on the city it affords but because “the opening of the tower marked the birth of the mass-consumed souvenir and the dawn of the factory-made scale model.” Consequently, others were inspired to build their own, including one constructed of 11,000 toothpicks that took approximately 300 hours to build. As much history as the author provides, he seems even more interested in human psychology: Why would someone spend so much time and effort to construct something that is ultimately without purpose, and why would others flock to see it? Garfield devotes a lot of attention to the ideal of order in a world of chaos while recognizing that the obsession can seem insane. Yet, as he writes of a man who has devoted much of his life to constructing a fleet of matchstick ships, “his dinner guests scoff that his work is pointless, but he’s happier in his world than they may ever be in theirs.”
In other words, it takes all kinds. Another entertaining book from Garfield.Pub Date: March 12, 2019
ISBN: 978-1-5011-9958-5
Page Count: 288
Publisher: Atria
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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