Lyrical, evocative, part poem, part prose—not to be missed by anyone, especially fans of historical fantasy and folktale.
The dying Moon goddess enlists two young warriors to kill her tyrannical sons and return her bones to the sea.
“This is a love story to its blade-dented bone.” In the Old Country, when a warrior frees the Moon from the sky, she falls to Earth and grants him a wish—sons. Each son is imbued with god gifts and the title of emperor, but the people are left without a moon to light their way. The tyrannical royals eventually imprison the Moon, angering her lover, the Water, who curses the land with drought. But the dying Moon has a plan: She gives the last emperor triplets—the Three Terrors—and spreads the god gifts among them, weakening them. Eventually she convinces Jun, the First Terror’s favorite son and most ruthless killer, to free her and right both their wrongs. Upon escape, they meet one-armed Keema, a young warrior “of poor fortune” working at Tiger Gate. The people are rebelling against the royals, and Keema has pledged to deliver a sacred spear to Cmdr. Araya’s kin. The Moon also enlists Keema’s help despite Jun’s protests. Between battling the Terrors, avenging gods and goddesses, fighting for the people, and fighting one another, Keema and Jun fall in love. If they can survive long enough to return the Moon to the Water’s embrace, they’ll end the Terrors’ reign and defeat both drought and darkness. Jimenez deftly weaves past, present, and future into one seamless narrative. Writing in first, second, and third person, Jimenez makes sure “you” are part of this story, too, casting you as Araya’s descendent and current keeper of the spear. You’ve been called to the Inverted Theater—built by the Moon and Water for liaisons long before the Terrors were born. Now the theater calls dreamers together to experience their shared history. You’re both Jimenez’s reader and “you,” who’s listening to and remembering your lola (grandmother in Tagalog) tell tales of the Old Country when you are/were a child. In your lonely, adult present, your dreaming spirit watches those tales reenacted by dancers in the Inverted Theater. Yet you’re also living the stories as each character—from bit-player peasant to powerful goddess. You experience Jun’s PTSD, Keema’s disability—never explained, simply a part of him—and all the guilt, anger, pain, fear, joy, desire, and love that make Jimenez’s tapestry so beautiful. It’s both like nothing and everything you’ve ever read: a tale made from the threads that weave the world, and all of us, together.
Lyrical, evocative, part poem, part prose—not to be missed by anyone, especially fans of historical fantasy and folktale.Pub Date: Aug. 30, 2022
ISBN: 978-0-593-15659-9
Page Count: 464
Publisher: Del Rey
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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