Close to the best of a fun series.
A likable addition to a supernatural series (Casino Infernale, 2013, etc.; each volume is understandable even if you haven't read the others) about Eddie Drood and his family, whose self-appointed vocation is to protect ordinary humans from otherworldly nasties.
This time out, Eddie, in his private-eye persona of Shaman Bond (modeled on James Bond, of course), must go to London’s Wulfshead Club, where a series of unfortunate information leakages has taken place. He soon solves that one, but there are plenty of other items on the agenda. His recently deceased grandmother, the Drood Matriarch, bequeaths him a mysterious box that she promises will make him Patriarch of the family. Such a prospect holds no appeal, so Eddie takes the box but doesn’t open it. The Merlin Glass, the magical doorway that allows Eddie to hop between dimensions, appears to have developed a will of its own. Worse still, Eddie and sidekick/girlfriend/witch Molly Metcalf are summoned to the government’s Department of Uncanny, where Eddie’s grandfather is Regent of Shadows—or, rather, was, since the supposedly unkillable Regent is now dead, slaughtered horribly along with his entire staff. And everybody who's anybody is blaming Eddie and Molly. Next, a disembodied Voice announces that it's kidnapped Eddie’s parents, and if he wants to see them again, he'd better locate and hand over the Lazarus Stone, an object that has the power to bring people back from the past. To learn more, our heroes must interrogate the dreaded Drood in Cell 13. Via some patient—well, OK, violent—sleuthing, Eddie and Molly learn that the irresistibly alluring and unfortunately elusive Lady Faire has the item in question—and she’s not about to let it go. Tons of plot, nonstop semicomic action, and further revelations about the entire Drood brood and their mysterious mission—what’s not to enjoy?
Close to the best of a fun series.Pub Date: June 3, 2014
ISBN: 978-0-451-41431-1
Page Count: 352
Publisher: ROC/Penguin
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
