Appealing and surprising takes on a subject prone to cliché.
Couples find surprising, if not downright strange ways to come together in a second romance-centered collection by Van Booy (The Secret Lives of People in Love, 2007).
The author has a pitch-perfect tone for writing about the tender passion. Instead of florid, melodramatic prose, the five tales feature hushed, patient storytelling that’s deliberately abstracted; Van Booy’s goal is to capture the ineffable nature of falling in love. The title story is a braided narrative involving Bruno, a famous concert cellist prone to musing on the death of his sister years ago, and Hannah, who similarly mourns the untimely loss of her young brother. Restrained without being icy, it recalls a Bergman film as it returns to such curious, ghostly characters as the nun Bruno sees writing on a frosted window, or the homeless man Hannah watches in a Los Angeles park. Van Booy has a taste for merging such gentle imagery with more violent moments, as when Hannah’s father chops off his hand after the death of his son. “The Coming and Going of Strangers” opens with a gypsy man risking his life to save a child from drowning. Two decades later, the man’s son seems to have inherited his father’s nobility, which helps readers understand that he’s more than a Peeping Tom as he obsessively spies on the girl he adores. Van Booy’s gauzy characterizations can be maddening: Is the narrator of “Tiger, Tiger” unhealthily fixated on a pediatrician who had an affair with her mother-in-law, or is he truly amazingly wise, as she seems to believe? In this particular universe, emotion counts for more than motivation, so the hero of “The City of Windy Trees” doesn’t seem especially odd for being so absurdly concerned with Raisinets and David Bowie songs. His journey from New York to Sweden to meet his daughter comes to such a sweet, sensible resolution that it convincingly shows how love rights the world.
Appealing and surprising takes on a subject prone to cliché.Pub Date: May 12, 2009
ISBN: 978-0-06-166147-1
Page Count: 256
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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