Thoughtful, though too often meandering and dry, meditations on the cultural and political response to HIV/AIDS in the US and Great Britain. Watney (Policing Desire: Pornography, AIDS, and the Media, not reviewed) is an experienced professional in the field of HIV education and has written a monthly column on HIV/AIDS for London's Gay Times; this volume collects pieces written between 1986 and 1992. Watney critiques moralistic, homophobic responses to the epidemic, from victim-blaming to failure to acknowledge the disproportionate effect of the disease on gay men (in both the UK and the US) to unrealistic and unhelpful prescriptions of abstinence or monogamy. He argues that HIV/AIDS education must focus on ``safe sex'' and must embrace gay pride, sexual desire, and community. Watney has done academic work in cultural theory, which usefully informs his analyses of media constructions of the epidemic, especially his article on the racist implications of the press's obsession with the non-Western origins of AIDS. Unfortunately, some of his writing is weighed down by a dense, occasionally almost impenetrable writing style; his shorter pieces, most of which were first published in nonacademic gay publications, are much more readable. Watney can also be far-fetched in his theoretical flights, musing at one point that, for straight people, HIV implies a ``physical relationship with the bodies of gay men or people of color. Dread of HIV infection thus speaks an excessive fear of transgressing profound social and psychic boundaries that evidently stabilize...heterosexual identity''—hardly the soundest explanation for collective terror of a fatal disease for which there is still no known cure. Some worthy analysis, but far more jargon-ridden than the complexity of Watney's ideas merits.
Pub Date: Nov. 1, 1994
ISBN: 0-8223-1553-X
Page Count: 304
Publisher: Duke Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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