This is another of Mme. de Beauvoir's long existentialist novels, and although a fantasy, far more believable and more interesting than last year's She Came To Stay. When Regina, a narcissist and an ambitious actress, finds that Fesca is immortal, she believes that through him she can make her beauty and talent live forever. In order to convince her of the uselessness of immortality, Fesca tells her his story. He was born in 1279 in Carmena, an imaginary Italian city state where, because he wanted to better the lot of his fellow citizens, he seized power and later- when one lifetime seemed too short for his purpose- drank a potion to make him immortal. Through various means he brought Carmena to eminence- only to find that in each case happiness died for his fellow men, for those he loved, and for himself. Turning to wider fields, he became guide and mentor to Charles V of Spain, and again found that his efforts turned to nothing with the horrors of the Reformation. Various other periods through which he lived, and experiences on many continents, all confirm the fact that he could not plan the good life and he learns, ever and ever in different ways, that since in the long run nothing mattered- "there is only one good; to act according to one's conscience". Though the message, which she preaches from time to time, is all important to the author, the best parts of the book (and there are many of them) are the sequences in which Fesca becomes deeply involved with other people, his son, the girl he loved, etc. These sections are vivid and moving and in combination with the existentialist panorama of history make the book well worth reading.
Pub Date: Jan. 31, 1954
ISBN: 0393308456
Page Count: 356
Publisher: World
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Jan. 1, 1954
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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