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WHY GOD ALLOWS EVIL AND SUFFERING

A nuanced approach to a knotty question from a traditionalist Christian perspective.

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A Christian author explores the persistent theological problem of the ubiquity of pain and suffering.

The notion that God is all-powerful and all-loving while the world is full of evil and arbitrary suffering is a difficult problem, and it’s perhaps the biggest barrier to belief for religious skeptics: “If God’s goodness or power is called into question,” writes the unnamed author (“Sine Nomine,” or “without a name”) of this treatise, “Christianity itself is too.” Based on a foundation rooted in orthodox Christian theology and biblical analysis, this book offers a “new solution” to this theological enigma. The author rejects common tropes used by contemporary Christians who suggest that pain is a character-building tool or intertwined with free will. Instead, this work argues that “love is the principal end for which God allows suffering.” The book is divided into two sections: Part I (“Redefining an Ancient Problem”) explores how the core characteristics of Christianity’s God (a being who is characterized as “all-powerful,” “all-loving,” “all-just,” and “all-wise”) are compatible with the existence of pain. The book’s second part (“Creation, Fall, and Timeless Being”) highlights the first three chapters of Genesis as a key to understanding God’s love and how evil and suffering became part of the post-Eden human experience.

Skeptics may still be unconvinced by the book’s conclusions, such as its argument that God allows humans “to suffer the consequences” of Adam and Eve’s original sin in order to give them “the opportunity to continue to experience love.” However, this is a thoughtfully argued work that freely admits that a faith that enables one to “experience love with God” may be seen by many people as “too childlike.” Most impressive are the fairness with which the book treats atheists and other religious skeptics and its refusal to reduce their arguments to straw men. The book’s introduction, for instance, acknowledges the failure of many contemporary Christians to adequately respond to the critiques of prominent agnostic scholar Bart Ehrman. The book’s author possesses a firm grasp on classical Christian thinkers and philosophers; indeed, much of the book’s so-called “new solution” is a misnomer, as the author returns to classical thinkers such as St. Augustine and St. Thomas Aquinas and early modern philosophers such as René Descartes and Søren Kierkegaard as well as observations on the nature of suffering that are central to the Book of Job. The story of Job, per the author, highlights the truism that even the most morally upright and good-natured people are vulnerable to immense suffering. At just over 100 pages, including reference material, this concise book boasts more than 200 endnotes that draw on myriad Christian thought across the denominational spectrum. That said, the book favors a Roman Catholic perspective and repeats numerous arguments found directly in the Catechism of the Catholic Church. As such, its discussions of some topics (“Specifically, does having sex with more people lead to greater happiness?”) reflect conservative sensibilities, though it generally avoids hot-button cultural issues. A nuanced approach to a knotty question from a traditionalist Christian perspective.

Pub Date: Dec. 25, 2021

ISBN: 9780986410659

Page Count: 166

Publisher: Ex-Voto Publishing, LLC

Review Posted Online: May 12, 2023

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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