An absorbing book that sets the ground for a promising finale.
This sequel to Odin’s Child (2021), the second entry in an epic fantasy trilogy translated from the Norwegian, sees its characters facing even bigger challenges.
When Hirka crossed the gateway into the unknown with only her raven, Kuro, by her side, she hoped to finally find a place where she belonged. But after months stranded in the mightless human world of contemporary York, England, Hirka finds that there is a new threat to her life—and to the world she left behind. Back in Ym, Rime is the new Ravenbearer in a world with shattered religious and political foundations after the life-changing revelations of the previous book—but all Rime can think about is the promise he made Hirka that he would find her. Ultimately both Hirka and Rime come to realize that they stand at the cusp of a conflict 1,000 years in the making. Their continuing saga takes place within an intricate fantasy world that explores the history and mythology of Ym and introduces a connection to the human world in unexpected and intriguing ways. Despite repetitive beats, the series finds its rhythm with the introduction of new worldbuilding elements and fascinating characters while deftly showcasing its main characters’ ongoing tale of belonging, forgiveness, and sacrifice. The main characters are all White; a few secondary characters are dark-skinned.
An absorbing book that sets the ground for a promising finale. (glossary) (Fantasy. 16-adult)Pub Date: Oct. 5, 2021
ISBN: 978-1-64690-001-5
Page Count: 512
Publisher: Arctis Books
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A thrilling and thought-provoking ride.
A teenager uncovers a secret that alters her entire reality.
It’s March 1998. Jess Flynn is thinking of college and longing to leave the confines of her small town. Her mother is overprotective; her sister, Sara, is receiving palliative care for an incurable disease; and Jess is falling for her best friend, Tyler, whom she’s been close to for 6 years. Every year the month of March brings Jess anxiety that something major is going to happen: Three years earlier, Sara received her diagnosis; the next year there was a tornado; and one year ago, Jess’ family’s home was burglarized. Now Jess is hyperaware of her surroundings, and she notices many things too strange to be ignored: far-off voices chanting outside, a mysterious flu spreading around town, and her closest friends keeping secrets. The strangest of all? Jess discovers that her dog has been replaced with a look-alike and her parents have no explanation. Jess decides to investigate, but she must tread cautiously because someone is watching her every move. Pop-culture references from the ’90s are paramount to the story’s façade, and the final plot twist packs a punch. This is a fun stand-alone, but the ending leaves room for readers to explore more of Jess’ world in the next series entry. The main cast is assumed White except for Jess’ friend Amber, who is cued as Black.
A thrilling and thought-provoking ride. (Speculative fiction. 12-18)Pub Date: Feb. 2, 2021
ISBN: 978-1-68369-197-6
Page Count: 304
Publisher: Quirk Books
Review Posted Online: May 15, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.
Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.
The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.Pub Date: Sept. 13, 2011
ISBN: 978-0-385-53463-5
Page Count: 384
Publisher: Doubleday
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
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