Intense and captivating; a pitch-perfect ending for a strong trilogy.
After narrowly surviving The Empress (2017), Nemesis is pulled back into imperial intrigue to stop a madman.
Rather than a traditional start (either a recap or where the previous left off), the book opens with Tyrus’ boyhood, when he makes a personally painful decision for the greater good, with ramifications that set him on the path that finds him, 15 years later, a mad tyrant declared to be a God-Emperor. Meanwhile, Nemesis, left by Neveni after Nemesis botched an assassination attempt on Tyrus, lives in hiding in a desolate mining colony with the only other surviving Diabolic, Anguish, who’s dying. As “Nemesis lives” has been taken up as a rallying cry by those opposing the tyrant, she loses anonymity and returns to Tyrus, who finds he misses her, in exchange for medical care for Anguish. But, unable to go along with Tyrus’ cruelty, Nemesis and Anguish must leverage every connection they have to enable Tyrus’ opponents to take him down. In doing so, they uncover some of the empire’s deepest secrets. The intrigue- and betrayal-packed plot never feels like twists for the sake of twists because character decisions are rooted in their complex, often contradictory, emotions. Nuanced social commentary and philosophical musings give thematic weight to a story grounded in a passionate, tragically antagonistic relationship. As appearance is easily and routinely altered via technology, the diversity focus is firmly on classism.
Intense and captivating; a pitch-perfect ending for a strong trilogy. (Science fiction. 13-adult)Pub Date: Aug. 25, 2020
ISBN: 978-1-5344-0995-8
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: May 31, 2020
Kirkus Reviews Issue: June 15, 2020
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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