The darkness runs deep in this skillfully plotted chiller.
A documentarian gets more than she bargains for when she chooses remote Blackwood Bay as the location of her next film.
Alexandra Young’s harrowing first film, Black Winter, won her accolades, but her second film was a failure, and she needs another hit or her career may be in jeopardy. Alex wants to document what life is like in a small village in the north of England by asking people to send in their own footage, which she would then curate. She secures funding, and the people who hold the purse strings coax her into choosing Blackwood Bay, where she spent a troubled childhood, as her subject. She wouldn't have chosen it herself, but with her career on the line, she agrees. It’s also made clear that she’s to look into the suicide of 15-year-old Daisy Willis,who plunged off a cliff to her death a decade ago. Daisy’s body was never found, but suicide was a foregone conclusion. Then, seven years later, Zoe Pearson, another teen, went missing. After the project is announced to Blackwood Bay citizens, the video clips started pouring in. However, to properly look into the disappearances, Alex must travel to Blackwood Bay. She does have faint memories of the town, but now it’s as if she’s “seeing it through a filter, a distorting prism.” As she gathers footage and probes the residents, it’s clear that some people don’t believe Daisy killed herself and that the incident could be connected to Zoe’s disappearance. Alex doesn’t quite see how the two could be related, but she does sense an insidious rot lingering under the coastal town’s quaint facade. When another teen girl goes missing, the town is looking for someone to blame, and no one is safe, not even Alex. Before she knows it, Alex is no longer a passive observer: She’s part of the story. Watson gradually turns up the heat while carefully teasing out wicked secrets that the town would rather keep buried, and Alex, who has her own secrets, makes an appealing, if possibly unreliable, narrator.
The darkness runs deep in this skillfully plotted chiller.Pub Date: Aug. 25, 2020
ISBN: 978-0-06238-215-3
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
An engrossing and haunting psychological thriller.
A young newlywed's life is upended, and a picturesque neighborhood is shattered, when she is suspected of a savage murder.
At the beginning of a new year, Joey Mullen moves back to England from Ibiza with Alfie, her husband, whom she hastily married out of grief over the death of her mother. Jack, Joey’s older brother, invites the young couple to move into his painted Victorian house in the upscale Bristol neighborhood of Melville Heights so they can get on their feet financially and help with the baby that Jack and his wife, Rebecca, are expecting. Joey quickly becomes infatuated with their neighbor Tom Fitzwilliam, a new headmaster charged with improving the local school. Her crush only intensifies when Alfie suggests having a baby, and Joey begins to suspect her marriage was a mistake. Meanwhile, Tom’s wife, Nicola, struggles to fill her days and remains oblivious to their son, Freddie, who regularly spies on his neighbors and the village's teenage schoolgirls, taking their photos and keeping a detailed log of everyone's activities. This surveillance exacerbates the paranoia and mental illness of another neighbor, the mother of 16-year-old Jenna, one of Tom’s students. Jenna’s mother is convinced that she knows the Fitzwilliam family from a vacation incident years earlier (and that the family is now stalking her), but Jenna is more concerned that Tom may be having an inappropriate relationship with her best friend. After several months, tension in the neighborhood explodes, and Joey is suspected of a brutal murder. However, as the police gather evidence, it becomes clear how many secrets each family has been hiding. Jewell (Then She Was Gone, 2017, etc.) adeptly weaves together a complex array of characters in her latest thriller. The novel opens with the murder investigation and deftly maintains its intensity and brisk pace even as the story moves through different moments in time over the previous three months. Jewell’s use of third-person narration allows her to explore each family’s anxieties and sorrows, which ultimately makes this novel’s ending all the more unsettling.
An engrossing and haunting psychological thriller.Pub Date: Dec. 26, 2018
ISBN: 978-1-5011-9007-0
Page Count: 336
Publisher: Atria
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
More style than substance.
Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.
The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.
More style than substance.Pub Date: Jan. 16, 2024
ISBN: 9781250758989
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
