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FINAL CUT

The darkness runs deep in this skillfully plotted chiller.

A documentarian gets more than she bargains for when she chooses remote Blackwood Bay as the location of her next film.

Alexandra Young’s harrowing first film, Black Winter, won her accolades, but her second film was a failure, and she needs another hit or her career may be in jeopardy. Alex wants to document what life is like in a small village in the north of England by asking people to send in their own footage, which she would then curate. She secures funding, and the people who hold the purse strings coax her into choosing Blackwood Bay, where she spent a troubled childhood, as her subject. She wouldn't have chosen it herself, but with her career on the line, she agrees. It’s also made clear that she’s to look into the suicide of 15-year-old Daisy Willis,who plunged off a cliff to her death a decade ago. Daisy’s body was never found, but suicide was a foregone conclusion. Then, seven years later, Zoe Pearson, another teen, went missing. After the project is announced to Blackwood Bay citizens, the video clips started pouring in. However, to properly look into the disappearances, Alex must travel to Blackwood Bay. She does have faint memories of the town, but now it’s as if she’s “seeing it through a filter, a distorting prism.” As she gathers footage and probes the residents, it’s clear that some people don’t believe Daisy killed herself and that the incident could be connected to Zoe’s disappearance. Alex doesn’t quite see how the two could be related, but she does sense an insidious rot  lingering under the coastal town’s quaint facade. When another teen girl goes missing, the town is looking for someone to blame, and no one is safe, not even Alex. Before she knows it, Alex is no longer a passive observer: She’s part of the story. Watson gradually turns up the heat while carefully teasing out wicked secrets that the town would rather keep buried, and Alex, who has her own secrets, makes an appealing, if possibly unreliable, narrator.

The darkness runs deep in this skillfully plotted chiller.

Pub Date: Aug. 25, 2020

ISBN: 978-0-06238-215-3

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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THE FINAL TARGET

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

An author is targeted by a fan who just can’t let her go.

Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances.

A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero.

Pub Date: May 26, 2026

ISBN: 9781250413581

Page Count: 432

Publisher: St. Martin's

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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SALTWATER

A feisty storm of Greek tragedy headlined by three very modern women.

On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.

When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.

A feisty storm of Greek tragedy headlined by three very modern women.

Pub Date: March 25, 2025

ISBN: 9780593875551

Page Count: 336

Publisher: Ballantine

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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