Provocative, intelligent reading for literary scholars and Shakespeare aficionados.
No moral lessons, just gorgeous language and vibrant voices lie at the heart of Shakespeare’s plays.
So argues Canadian multihyphenate Gilbert (a novelist, playwright, and founder of a gay theater in Toronto), who also argues that “the recent intrusion of the woke left into aesthetics…threatens to destroy art.” This mindset, he states, has transformed artistic works into vehicles for didactic and/or propagandist ends. In this collection of essays, Gilbert, working from the premise that the analytical, “left brain cultural takeover” began during Shakespeare’s life, analyzes how the Bard’s plays and poems reveal a rejection of reason and empiricism. He begins by observing that Shakespeare’s writing style is as complex as it is heavily connotative, which he sees as atypical for an era when most writers followed one of three styles: “grand, middle or low.” Indeed, the Bard often adopted a variety of styles within single passages of text. His stylistic “slipperiness” extends to how he played arguments and counterarguments against each other to create works “steeped in paradox.” That, Gilbert suggests, marks Shakespeare’s plays as amoral and the playwright as a skeptic. He further argues that the playwright’s commitment to rhetoric and language before all else placed him in a position where he could simply allow his characters to speak and act rather than use them to reveal any particular social or political bent. Working during a time when theater was under attack by Puritans, who favored plays that moralized, the Bard chose instead to follow a Classical aesthetic grounded in the thinking of philosophers like Gorgias, who believed that “what is real is defined by the artist in collaboration with the audience.” Shakespeare, then, was not only a literary craftsman but also an early modern aesthete dedicated to creating beauty rather than delivering messages for the ages. This view of Shakespeare is hardly new, but its application to today’s woke culture is stimulating, if not necessarily persuasive.
Provocative, intelligent reading for literary scholars and Shakespeare aficionados.Pub Date: Oct. 1, 2024
ISBN: 9781771839037
Page Count: 150
Publisher: Guernica Editions
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
