An informative book that inspires readers toward their authentic selves.
Can a person try to be authentic?
Contrary to its popular characterization, existentialism has never been a philosophy of darkness and despair. Its preoccupation with death is better understood as the background that enables a passionate embrace of life. What, after all, is more life-affirming than the notion that a person can, within certain limits, make of herself what she will—that we can all be, in Simone de Beauvoir’s phrase, “poets of our own lives”? As in her previous books Existentialism and Romantic Love and How To Live a Good Life, philosopher Cleary investigates existentialism as part of a long tradition of individual empowerment. Centered around the life and writings of Beauvoir, Cleary’s latest offers life advice so practical that at times it can be difficult to tell the philosophical from the common-sensical. What Cleary and Beauvoir ask us to do is, first, acknowledge facticity—that is, the givens of our life (where and when we were born, and so on)—and, second, exercise our freedom to take responsibility for everything else: who we are and what we do. The challenges lie in the application of this framework. In chapters devoted to marriage, aging, death, and the like, Cleary shows what it entails to take Beauvoir seriously. Some of the most moving passages in the book involve the author assessing her own life in these terms. In the chapter on self-sabotage, she describes turning “down being a guest on an important podcast because I’m afraid I won’t know what to say, or the words won’t come to me, or I’ll forget important points, or I’ll just sound stupid.” How refreshing to read a philosopher who achieves such vulnerability. Critical readers may object to Cleary’s overly broad conception of facticity and her superhero-strong sense of agency, but if they are wise, they will note these objections and then proceed to the business of taking good advice where they find it.
An informative book that inspires readers toward their authentic selves.Pub Date: Aug. 16, 2022
ISBN: 978-1-250-27135-8
Page Count: 352
Publisher: St. Martin's Essentials
Review Posted Online: March 21, 2022
Kirkus Reviews Issue: April 15, 2022
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A top-notch political memoir and serious exercise in practical politics for every reader.
In the first volume of his presidential memoir, Obama recounts the hard path to the White House.
In this long, often surprisingly candid narrative, Obama depicts a callow youth spent playing basketball and “getting loaded,” his early reading of difficult authors serving as a way to impress coed classmates. (“As a strategy for picking up girls, my pseudo-intellectualism proved mostly worthless,” he admits.) Yet seriousness did come to him in time and, with it, the conviction that America could live up to its stated aspirations. His early political role as an Illinois state senator, itself an unlikely victory, was not big enough to contain Obama’s early ambition, nor was his term as U.S. Senator. Only the presidency would do, a path he painstakingly carved out, vote by vote and speech by careful speech. As he writes, “By nature I’m a deliberate speaker, which, by the standards of presidential candidates, helped keep my gaffe quotient relatively low.” The author speaks freely about the many obstacles of the race—not just the question of race and racism itself, but also the rise, with “potent disruptor” Sarah Palin, of a know-nothingism that would manifest itself in an obdurate, ideologically driven Republican legislature. Not to mention the meddlings of Donald Trump, who turns up in this volume for his idiotic “birther” campaign while simultaneously fishing for a contract to build “a beautiful ballroom” on the White House lawn. A born moderate, Obama allows that he might not have been ideological enough in the face of Mitch McConnell, whose primary concern was then “clawing [his] way back to power.” Indeed, one of the most compelling aspects of the book, as smoothly written as his previous books, is Obama’s cleareyed scene-setting for how the political landscape would become so fractured—surely a topic he’ll expand on in the next volume.
A top-notch political memoir and serious exercise in practical politics for every reader.Pub Date: Nov. 17, 2020
ISBN: 978-1-5247-6316-9
Page Count: 768
Publisher: Crown
Review Posted Online: Nov. 15, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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