Readers will welcome this addition to the ace YA canon.
An ace band geek comes into her own in Quinlan’s debut.
High school senior Harper prefers to stay out of the spotlight. The daughter of the leading Republican presidential nominee (dad) and her private boarding school’s conservative dean (mom), she tries to focus on her position as first chair for saxophone in marching band and her best friends, queer Nadia and bisexual, nonbinary Bellamy. She couldn’t be more surprised to learn that her classmate Margot, the Canadian ambassador’s daughter, is being catfished—by someone posing as Harper. As the two strike up a real-life friendship that quickly turns romantic, Harper has to navigate her health (she has asthma exacerbated by anxiety), increasing friendship tensions, her burgeoning realizations that she might be a lesbian and asexual, decisions about privacy and her romantic life, and a family rift. Christian, her older brother who cut off contact with their toxic parents, is gay, an army veteran, and in recovery from addiction. Harper’s first-person narration satisfyingly hits the beats of many queer teen rom-coms, including triumphant growth in self-awareness and a tidy ending. It is immensely refreshing to see an asexual romantic lead whose sexuality isn’t a point of conflict in either her relationship or the broader narrative. Harper and most other characters default to White. Nadia is Indonesian, and Canadian Margot is biracial (implied Black and White).
Readers will welcome this addition to the ace YA canon. (trigger warnings, resources) (Fiction. 14-18)Pub Date: March 8, 2022
ISBN: 978-1-64567-440-5
Page Count: 288
Publisher: Page Street
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
For fans, a finale that satisfies.
Picking up just after the end of Legendary (2018), Garber continues to build the world of Caraval with a final installment, this time focusing equally on both Dragna sisters’ perspectives.
After they released their long-missing mother from the Deck of Destiny, Scarlett and Donatella hoped to rebuild their relationship and gain a new sense of family. However, Legend also released the rest of the Fates, and, much to their dismay, the Fallen Star—essentially the ur-Fate—is only gaining in power. As the Fates begin to throw Valenda into chaos and disarray, the sisters must decide whom him to trust, whom to love, and how to set themselves free. Scar’s and Tella’s passionate will-they-or-won’t-they relationships with love interests are still (at times, inexplicably) compelling, taking up a good half of the plot and balancing out the large-scale power games with more domestic ones. Much like the previous two, this third book in the series is overwritten, with overly convenient worldbuilding that struggles nearly as much as the overwrought prose and convoluted plot. While those who aren’t Garber’s fans are unlikely to pick up this volume, new (or forgetful) readers will find the text repetitious enough to be able to follow along.
For fans, a finale that satisfies. (Fantasy. 14-18)Pub Date: May 7, 2019
ISBN: 978-1-250-15766-9
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: April 6, 2019
Kirkus Reviews Issue: May 1, 2019
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