by Slavenka Drakulić ‧ RELEASE DATE: Feb. 22, 2011
It’s no coincidence that the epigraph of this fiction is from George Orwell, for Drakulic is similarly aware of moral...
In a series of fables set in Eastern Europe, Drakulic (Two Underdogs and a Cat: Three Reflections on Communism, 2009, etc.), a native of Croatia, explores with wit, grace and humor the collapse of communism.
The author begins her collection with the memoirs of Bohumil, a mouse now housed in a school cabinet in The Museum of Communism in Prague. The conceit of this first story is that Bohumil is leading Hans, a mouse from Würzburg, on a tour of the museum, which is full of “ugly things“ and hence a refuge from all the beautiful buildings in Prague. The museum even contains an interrogation room as an unnostalgic reminder of the recent political past. In the next story the narrator is Koki, a talking parrot who recounts his past history with Marshal Tito. Koki presents Tito not only as the establisher of a personality cult but as a dashing figure, a ladies’ man who “[exudes] charisma even when wearing shorts." The following story features Todor, a dancing bear from Bulgaria who wonders whether he’s in fact a symbol of society. (He is.) And so it goes. Other sections are narrated by a cat, a mole (who tunnels under the Berlin Wall), a pig (who notices she bears a striking resemblance to Miss Piggy), the oldest dog in Bucharest and, finally, a psychotic raven. The latter provides one of the most interesting turns in Drakulic’s fiction, for the raven has flown into a psychiatric hospital in Albania, and years later the psychiatrist who treated the raven left a journal of her notes to her son, who tries to make sense of his mother’s experience. The son believes his mother has written about Mr. Raven, as he is called, in a kind of code—that he’s not a raven at all but rather someone who entered the hospital and needed to disguise his identity.
It’s no coincidence that the epigraph of this fiction is from George Orwell, for Drakulic is similarly aware of moral failure and political excess.Pub Date: Feb. 22, 2011
ISBN: 978-0-14-311863-3
Page Count: 208
Publisher: Penguin
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
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by Slavenka Drakulić & translated by Christina P. Zoric
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by Haruki Murakami ‧ RELEASE DATE: March 31, 1993
A seamless melding of Japanese cultural nuances with universal themes—in a virtuoso story collection from rising literary star Murakami (A Wild Sheep Chase, 1989; Hard-boiled Wonderland and the End of the World, 1991). These 15 pieces, some of which have appeared in The New Yorker and Playboy, are narrated by different characters who nonetheless share similar sensibilities and attitudes. At home within their own urban culture, they happily pick and choose from Western cultural artifacts as varied as Mozart tapes, spaghetti dinners, and Ralph Lauren polo shirts in a terrain not so much surreal as subtly out of kilter, and haunted by the big questions of death, courage, and love. In the title story, the narrator—who does p.r. for a kitchen-appliance maker and who feels that "things around [him] have lost their balance," that a "pragmatic approach" helps avoid complicated problems—is troubled by the inexplicable disappearance of a local elephant and his keeper. In another notable story, "Sleep," a young mother, unable to sleep, begins to question not only her marriage and her affection for her child, but death itself, which may mean "being eternally awake and staring into darkness." Stories like "TV People," in which a man's apartment is taken over by TV characters who "look as if they were reduced by photocopy, everything mechanically calibrated"; "Barn Burning," in which a man confesses to burning barns (it helps him keep his sense of moral balance); and "The Second Bakery Attack," in which a young married couple rob a McDonald's of 30 Big Macs in order to exorcise the sense of a "weird presence" in their lives—all exemplify Murakami's sense of the fragility of the ordinary world. Remarkable evocations of a postmodernist world, superficially indifferent but transformed by Murakami's talent into a place suffused with a yearning for meaning.
Pub Date: March 31, 1993
ISBN: 0679750533
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
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by Nancy McKinley ‧ RELEASE DATE: Feb. 1, 2020
Warm, generous stories.
A kind and earnest debut collection of connected stories set in blue-collar northeastern Pennsylvania.
MK and Colleen, former classmates at Our Lady of Perpetual Help Elementary School, reconnect as middle-aged women, both working retail jobs in a mall that’s just months away from closing its doors. From the outside, they seem to live just on the edge of despair and economic ruin, except both have too much moxie. In "St. Christopher on Pluto," for example, Colleen entangles MK in a plot to ditch Colleen's car by the Susquehanna River for insurance money. While MK lectures Colleen on committing fraud, Colleen wisecracks and tells MK to lighten up. That's the setup of many of McKinley's stories: Bighearted, redheaded Colleen has a scheme (or a volunteer gig), and she wheedles practical MK, often the narrator, into coming along. These slice-of-life stories touch upon social issues on the verge of fracturing already economically stressed, conservative communities: immigration, America's never-ending post–9/11 wars, the HIV epidemic, drug addiction, and the disappearance of good blue-collar jobs. In "Complicado," Colleen volunteers to photograph an ESL class graduation, but it turns out the women don't want their pictures taken for fear of becoming the target of a rising tide of jingoism. Once she understands, Colleen yanks the film from her camera, and the party ends with the church organist's offering her accordion to a young Mexican man, "the Latin sounds creat[ing] fusion in a room steeped with polka fests." While we yearn for such happy endings in life, they can seem a bit treacly in fiction. When McKinley resists the lure of “Kumbayah” moments, she delivers emotionally devastating stories about how places with bleak economic futures hurt good, ordinary people—as well as how such people quietly craft lives full of intangible bounty.
Warm, generous stories.Pub Date: Feb. 1, 2020
ISBN: 978-1-949199-26-0
Page Count: 228
Publisher: West Virginia Univ. Press
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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