The eighth book in Stirling’s post-apocalyptic Novels of the Change series is a mostly tedious wheel-spinning installment, with repetitive plotting and labored prose.
Stirling (The High King of Montival, 2010, etc.) began the Change series with 2004’s Dies the Fire, in which all technology on Earth suddenly stops working, and people have to adapt. Now the world has been reconstituted under a feudalistic system, complete with lords, castles, knights, squires and the like, and magic and prophecies play increasingly important roles in the story. After questing for several novels, nominal protagonist Rudi Mackenzie has finally retrieved the mythical Sword of the Lady and is working to unite disparate factions as part of his new kingdom of Montival. Rudi, also known as Artos now that he has ascended to the role of High King, needs as many allies as he can get in order to face down the forces of the Church Universal and Triumphant, an evil organization that uses mind control to keep its subjects in line and is bent on conquering all of what was once North America. The novel follows dozens of characters as they maneuver things into place for the big showdown, but it’s almost all set-up for a climax that never arrives. Stirling spends paragraphs describing the clothing and weaponry of his characters in agonizing detail, while moving the plot along at a glacial pace. Although there are some fun nods to fantasy fandom (among them a faction of warriors who base their entire worldview on the Lord of the Rings novels), the writing is mostly deadly serious and dull. Stirling whips up a couple of lively set pieces, including the aforementioned Tolkien acolytes liberating the captive family of one of the opposition leaders, but the plodding boredom far outweighs the intermittent excitement. Dedicated followers of the series will likely want to see it through, but this installment doesn’t bode well for the books still to come.
Pub Date: Sept. 6, 2011
ISBN: 978-0-451-46415-6
Page Count: 496
Publisher: ROC/Penguin
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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