Plenty of flaws in the main character but few in this satisfying thriller.
A Drug Enforcement Administration agent heads south of the border on her own, to the regret of many.
Diane “Hardball” Harbaugh has helped put a lot of drug dealers behind bars. “You got two speeds, girl,” her partner says. “Legal eagle and meth dealer.” A confidential informant named Oscar tracks her down in a northern Michigan cabin and shoots himself right in front of her, saying she’s ruined his life. She wonders, “Did she make all the boys cry?” The suicide means she has a whole lot to explain to her superiors, but her troubles quickly become more pressing. A mysterious caller summons her to Mexico to meet a drug lord named El Capataz, who says he needs her help. Her partner wisely advises, “You’re not going to meet a cartel underboss without backup, Diane.” So does she coordinate a response with her superiors? Noooooo, she goes on her own without backup, “half-cocked” and completely against protocol, hoping for a big win to salvage her career. El Capataz has his own reasons to tell her an “enorme” secret, but Diane doesn’t really know if she’ll live or die. “There’s no telling which way your luck’s actually running till the whole thing’s been played out,” her soon-to-be-left-behind partner says, and then it’s too late. The woman has a whole lot more bravery than sense, but that makes for the good story this is. There’s plenty of violence and sharp shards of Spanish-language profanity from men like Tomás, a Zeta gang member with only one skill: He knows how to “delete” people. In this world, “Cash is the chain of command. Money gives the orders.” The story has great lines like “he was as fit as an orchestra of fiddles” and “her whole body was smiling.” Whether or not Hardball’s body still smiles at the end of her journey is for the reader to discover. Either way, she is one tough mujer.
Plenty of flaws in the main character but few in this satisfying thriller.Pub Date: Sept. 22, 2020
ISBN: 978-0-06-282517-9
Page Count: 352
Publisher: Ecco/HarperCollins
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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