Set in 1969, Manzano’s first novel offers a realistically mercurial protagonist struggling with her identity in Spanish Harlem.
Fourteen-year-old Rosa María Evelyn del Carmen Serrano is frustrated with life in El Barrio. Tired of working for her mother and stepfather in their bodega, she takes a job at a five-and-dime and hopes to trudge through the rest of the summer. Everything changes when her abuela arrives, taking over Evelyn’s bedroom and bearing secrets of the family’s involvement in Puerto Rico’s tumultuous history. When a group called the Young Lords begins working to bring positive changes to the neighborhood, some residents are resistant, including Evelyn’s mother. Led by her grandmother’s example, Evelyn begins to take an interest in the efforts of the activist group. As the months pass, the three generations of women begin to see one another’s perspectives, and Evelyn realizes the importance of her Puerto Rican heritage. Like most real-world teens, she changes subtly, rather than through one earth-shattering epiphany. The author effectively captures this shifting perception in the dialogue and Evelyn’s first-person narration. Secondary characters of surprising dimension round out the plot and add to the novel’s cultural authenticity, as do the Spanish and Spanglish words and phrases sprinkled throughout the text so seamlessly that a glossary would be moot.
A stunning debut. (author’s note, recommended reading) (Historical novel. 12 & up)Pub Date: Sept. 1, 2012
ISBN: 978-0-545-32505-9
Page Count: 224
Publisher: Scholastic
Review Posted Online: Sept. 26, 2012
Categories: CHILDREN'S FAMILY
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A grandmother shares her story of survival as a Jew in France during World War II.
As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.
A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)Pub Date: Oct. 1, 2019
ISBN: 978-0-525-64553-5
Page Count: 224
Publisher: Knopf
Review Posted Online: June 23, 2019
Kirkus Reviews Issue: July 15, 2019
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In the sequel to Insignificant Events in the Life of a Cactus (2017), Aven Green confronts her biggest challenge yet: surviving high school without arms.
Fourteen-year-old Aven has just settled into life at Stagecoach Pass with her adoptive parents when everything changes again. She’s entering high school, which means that 2,300 new kids will stare at her missing arms—and her feet, which do almost everything hands can (except, alas, air quotes). Aven resolves to be “blasé” and field her classmates’ pranks with aplomb, but a humiliating betrayal shakes her self-confidence. Even her friendships feel unsteady. Her friend Connor’s moved away and made a new friend who, like him, has Tourette’s syndrome: a girl. And is Lando, her friend Zion’s popular older brother, being sweet to Aven out of pity—or something more? Bowling keenly depicts the universal awkwardness of adolescence and the particular self-consciousness of navigating a disability. Aven’s “armless-girl problems” realistically grow thornier in this outing, touching on such tough topics as death and aging, but warm, quirky secondary characters lend support. A few preachy epiphanies notwithstanding, Aven’s honest, witty voice shines—whether out-of-reach vending-machine snacks are “taunting” her or she’s nursing heartaches. A subplot exploring Aven’s curiosity about her biological father resolves with a touching twist. Most characters, including Aven, appear white; Zion and Lando are black.
Those preparing to “slay the sucktastic beast known as high school” will particularly appreciate this spirited read. (Fiction. 12-14)Pub Date: Sept. 17, 2019
ISBN: 978-1-4549-3329-8
Page Count: 272
Publisher: Sterling
Review Posted Online: June 10, 2019
Kirkus Reviews Issue: July 1, 2019
Categories: CHILDREN'S FAMILY | CHILDREN'S SOCIAL THEMES
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