A powerfully particular, 100 percent genuine character commands this gutsy debut.

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RANI PATEL IN FULL EFFECT

Rani Patel, daughter of Gujarati immigrants, feels isolated for more than one reason on the Hawaiian island of Molokai in 1991.

Readers first meet Rani as she shaves her head following her discovery of her father’s affair with a “barely out-of-adolescence homewrecker.” That this is the traditional gesture of a widow takes on ever greater significance as the story progresses. Her mother distant, her crush on the handsome, (mostly) Native Hawaiian Pono unrequited, Rani’s only comfort is in hip-hop and the rhymes she lays down—until Mark, a hot, older haole who works at a nearby resort and patronizes her family’s convenience store, shows some interest in her slam poems and in her. When, as MC Sutra, Rani’s invited to audition for hip-hop club 4eva Flowin’, she finds community—and complication. Rani relates her tale in an energetic, often wry present-tense account that effortlessly enfolds unitalicized Hawaiian and Gujarati as well as Hawaiian pidgin and hip-hop slang; import if not exact meaning should be clear to readers, and a glossary fills in the gaps. Rap’s political side is, like Rani, “in full effect,” as she takes on some of the traditions that have critically injured her family in electric slam poems. Author Patel is a psychiatrist, and a concluding note explains that although Rani’s recovery from incest is unrealistically speedy, it can stand as a model for victims.

A powerfully particular, 100 percent genuine character commands this gutsy debut. (Historical fiction. 14-18)

Pub Date: Oct. 11, 2016

ISBN: 978-1-941026-49-6

Page Count: 317

Publisher: Cinco Puntos Press

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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