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THURSDAY’S CHILD

Hartnett (Princes, 1998, etc.) tells a fantastic tale of an ordinary life during the Great Depression. Narrator Harper Flute begins with her brother Tin, “born on a Thursday, and so fated to his wanderings,” and about the day he went underground. Having a baby brother who burrows beneath her family’s ill-fated plot of land doesn’t seem odd to her young eyes. Neither does her father, who, permanently “changed” by the Great War, has taken a farm plot though he knows nothing about farming, and squanders his inheritance on three breeding cows just as the stock market collapses. Harper’s voice is precise, charged, and involved. Her nearsighted view broadens as the reader watches her grow. Her bossy older sister becomes a frustrated romantic, and her helpful older brother gives up on the family he’s struggled to hold together through his adolescence. Tin disappears more and more from sight, becoming an allegorical and literal underpinning of the family. Hartnett’s narrative stands on edge between the mundane and the stuff of legend, as Harper’s childhood unfolds precisely and peculiarly towards the event that changes her family forever. Dark, unusual, familiar, and slightly miraculous—Hartnett’s story is not for everyone, but it leaves its mark. (Fiction. YA)

Pub Date: May 1, 2001

ISBN: 0-7636-1620-6

Page Count: 272

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2002

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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EVERY EXQUISITE THING

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.

In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.

Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)

Pub Date: May 26, 2026

ISBN: 9781250346797

Page Count: 384

Publisher: Wednesday Books

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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