ECHOES OF THE WHITE GIRAFFE

In a sequel to the autobiographical Year of Impossible Goodbyes (1991, ALA Notable), Sookan, now 15, is again a refugee. After 1945, the family was reunited in Seoul and established a comfortable home. But as the story opens, Sookan is in coastal Posan, studying at a refugee school. Separated from Father and her older brothers—whose fate they won't know for two years—by the bombing of Seoul, Sookan and her mother and youngest brother are living high on a mountain where she's awakened each morning by a poet shouting on a nearby peak. The earlier book hinged on political events and the cruelties and injustices of war; more quietly, this one examines war's sorrows and the courage and compromises of those growing up in its shadow. Sookan comforts an orphaned friend; mourns the Shouting Poet, though they've never met; and, despite her shyness, defies tradition to rendezvous with a male friend. Though each plans to enter holy orders, their love for poetry and music draws them into a poignant, chaste accord that reveals a great deal about the culture and their own character. Their parting, as Sookan heads for college in the US, leaves much unspoken, and is just one of the many separations and losses composing this book. Except for Sookan, the characters are less fully realized than before; instead, wonderfully telling scenes evoke the time, the place, and—more subtly—the deep- running emotions that these people, bound by custom and besieged by troubles, were so rarely free to acknowledge. (Fiction. 10+)

Pub Date: April 1, 1993

ISBN: 0-395-64721-5

Page Count: 144

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1993

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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