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TAPESTRY

A LOWCOUNTRY RAPUNZEL

A richly embroidered story of early-20th-century rural life in South Carolina.

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A young girl struggles in her relationship with her overbearing stepmother in Alexander’s second historical novel in a series.

In Greeleyville, South Carolina, in 1918, 12-year-old Gaynelle Bell lives a difficult life on her family’s farm. Her stepmom, Jessie, seems bent on making everyone’s days joyless, and her 16-year-old sister, Vivian, hasn’t been herself lately. Gaynelle finds escape in the stables, where she reads books that her father, Clayton, secretly gives to her. Nearly a year ago, the town doctor, Stephen Connor—who may be Vivian’s biological father—offered to pay for the older girl to attend boarding school in Charleston. However, Jessie has been secretly slipping poison into Vivian’s tea to keep her at home. Clayton takes Gaynelle on visits to Aunt Anna, the widowed best friend of the sisters’ late mother. Gaynelle is fascinated by a tapestry in Anna’s house: “It depicted a young woman in a high tower. Impossibly-long, honey-colored hair flowed out the tower window to the ground, where a raven-haired young man in royal garb stood.” When the poisoning—but not the culprit—is discovered and Vivian is sent away to school, Gaynelle is left to fend for herself against her stepmother’s cruelties. She thinks her handsome prince may have arrived in the form of new farmhand Tommy Salters, but Jessie proves a daunting guardian. Alexander’s prose ably replicates the rhythms of speech—and life—in the 1920s South, as when Tommy bids Gaynelle farewell at the end of the harvest: “ ‘Your Pa just don’t need me right now. Leastways, not for a couple o’ months. But he will in the spring. We’ll figure it out.’….Winter had arrived, and they were making their final goodbyes.” The novel does take a while to get going, but once it does, readers will find themselves hooked by the more dramatic elements of this coming-of-age tale. Fans of the previous volume, Silk (2021), about Gaynelle and Vivian’s mother, will likely get more from this sequel than newcomers will, but all are likely to find much to enjoy here.

A richly embroidered story of early-20th-century rural life in South Carolina.

Pub Date: April 22, 2022

ISBN: 978-1-955444-26-2

Page Count: 226

Publisher: Onalex Books

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: July 1, 2022

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE LION WOMEN OF TEHRAN

A touching portrait of courage and friendship.

A lifetime of friendship endures many upheavals.

Ellie and Homa, two young girls growing up in Tehran, meet at school in the early 1950s. Though their families are very different, they become close friends. After the death of Ellie’s father, she and her difficult mother must adapt to their reduced circumstances. Homa’s more warm and loving family lives a more financially constrained life, and her father, a communist, is politically active—to his own detriment and that of his family’s welfare. When Ellie’s mother remarries and she and Ellie relocate to a more exclusive part of the city, the girls become separated. They reunite years later when Homa is admitted to Ellie’s elite high school. Now a political firebrand with aspirations to become a judge and improve the rights of women in her factionalized homeland, Homa works toward scholastic success and begins practicing political activism. Ellie follows a course, plotted originally by her mother, toward marriage. The tortuous path of the girls’ adult friendship over the following decades is played out against regime change, political persecution, and devastating loss. Ellie’s well-intentioned but naïve approach stands in stark contrast to Homa’s commitment to human rights, particularly for women, and her willingness to risk personal safety to secure those rights. As narrated by Ellie, the girls’ story incorporates frequent references to Iranian food, customs, and beliefs common in the years of tumult and reforms accompanying the Iranian Revolution. Themes of jealousy—even in close friendships—and the role of the shir zan, the courageous “lion women” of Iran who effect change, recur through the narrative. The heartaches associated with emigration are explored along with issues of personal sacrifice for the sake of the greater good (no matter how remote it may seem).

A touching portrait of courage and friendship.

Pub Date: July 2, 2024

ISBN: 9781668036587

Page Count: 336

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: April 19, 2024

Kirkus Reviews Issue: May 15, 2024

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