An enjoyably melodramatic slice of American history and worthwhile series finale.
A family feud encumbers young love in Alexander’s historical novel, the final installment in a trilogy.
Jack Caddell first meets Ginny Bell in the summer of 1939. The two are immediately smitten; “That is the boy I’m gonna marry,” proclaims Ginny. Unfortunately, Ginny’s father, Clayton, adamantly forbids their burgeoning courtship. Jack thinks it’s because of his partly Indigenous lineage, but it’s more likely the fault of his uncle, Zingle, whose perpetual carelessness has already precipitated at least one tragic death. Unbeknownst to Jack, Zingle assaulted Jessie, Clayton’s wife and Ginny’s mom, some years earlier. Despite the objection, the young couple secretly dates and envisions a future of wedded bliss. But will the two be able to maintain a household and possibly raise children? Meanwhile, Ginny’s older sister, Vivian, who works at a newspaper, gradually uncovers a local mayor’s “lawless schemes.” Exposing this corruption may incite the wrong people, including her sheriff brother-in-law, Joel Hammond. The author’s follow-up to Tapestry (2022) spotlights characters returning from earlier books and introduces some new faces. This large cast helps to propel the narrative, which moves through the decades at a steady pace. Alexander aptly establishes the backdrop of the Great Depression and revels in the South Carolina vernacular, in which words ending in -ing forgo the G and learn sometimes means teach. The novel is also a convincing family portrait filled with ups and downs. There are startling deaths throughout the years and bursts of violence but also lighter turns, as when a newly married couple realizes that finding time to consummate their union is an unexpectedly and frustratingly difficult endeavor.
An enjoyably melodramatic slice of American history and worthwhile series finale.Pub Date: April 16, 2023
ISBN: 9781955444224
Page Count: 368
Publisher: Onalex Books
Review Posted Online: May 25, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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