by Sophia Gholz ; illustrated by MacKenzie Haley ‧ RELEASE DATE: Aug. 1, 2025
Quirky, thoughtful, and fun.
A robot leaves the assembly line for the natural world.
This offbeat hero’s journey begins with a description of a typical day at the factory where pink-cheeked, multi-armed ARLO (“Automated Robotic Line Operator”) works. He and 11 slightly smaller robots “power up, juice joints, grease gears, and rattle to the assembly line,” where he “katinkers six tools at the same time.” He’s the only robot who uses break time to tinker; his inventions garner interest from the little robots but stern resistance from the apparently managerial “big bots.” ARLO adores his factory work, but “his bolts buzz for something…more.” When a storm leaves a hole in the factory wall, ARLO catapults into an exciting world of flowers, frogs, and trees—but no charging station. After successfully figuring out how to recharge himself with a little help from the natural world, he surmounts more obstacles before returning to his factory home, where all the little robots have been powered down. He tinkers until the little robots are functional. Together, they rebuild and improve their environment—and re-create some of ARLO’s newest inventions, which now reflect the natural world. Once the large bots have been repowered, will they grant permission for ARLO’s changes? Gholz’s lively text is peppered with the sounds of imaginative robotic language and onomatopoeia, well matched by Haley’s art, which effectively portrays cute, round-eyed robots, drab factory conditions, and colorful, comical nature scenes.
Quirky, thoughtful, and fun. (Picture book. 4-6)Pub Date: Aug. 1, 2025
ISBN: 9781534113244
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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