by Sophie Benini Pietromarchi ; illustrated by Sophie Benini Pietromarchi ; translated by Guido Lagomarsino ‧ RELEASE DATE: April 15, 2014
Color explorations should be robust and clear; this one’s dull and oddly alienating.
Verbosity and loose metaphor overwhelm a few pretty spreads and intriguing projects in this unfocused tribute to colors.
Pietromarchi “would rather not have written any words at all” about color, she claims, but then she proceeds to talk up a blue streak. Positing that “[c]olor speaks for itself” and can’t be explained verbally, she then employs copious words to take readers on a “color dance.” The color dance, despite being her core figure of speech, never makes sense. Textual muddles include vagueness (“color lets you travel, across…realms”), mismatches between text and pictures (a full spread waxing poetic about yellow but showing orange), and missed opportunities (“even…a small yellow door” is interesting, says a spread that shows no door at all). Instead of explaining how blue paint changes other colors, she explains how a (metaphorical) “blue feather” changes them. Readers willing to wade through the long-windedness (or peruse in nonlinear fashion) will enjoy fables about a hue’s mood and vibe, fancifully colored animals, sophisticated color-mixing exercises and a few lovely color scales. A sequence of “shrines of color” presents household and nature items divided by hue. The illustrations have a delicate style throughout—too delicate: Fighting to be noticed, bizarrely, are the colors themselves. Their visual reproduction is more often dry than juicy, and they drown in the rambling word clutter.
Color explorations should be robust and clear; this one’s dull and oddly alienating. (Informational picture book. 7-11)Pub Date: April 15, 2014
ISBN: 978-93-83145-01-0
Page Count: 144
Publisher: Tara Publishing
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: March 1, 2014
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Kate Klise ; illustrated by M. Sarah Klise ‧ RELEASE DATE: Sept. 10, 2013
Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)
In this entertaining chapter book, the first in a series, readers meet kind Sir Sidney and the gentle performers and hands in his circus. But Sir Sidney is tired and leaves the circus under the management of new-hire Barnabas Brambles for a week.
That Sir Sidney is beloved by all is quickly established, presenting a sharp contrast to the bully Brambles. The scoundrel immediately comes up with a “to do” list that includes selling the animals and eliminating the mice Bert and Gert. (Gert is almost more distressed by Brambles’ ill-fitting suit and vows to tailor it.) Revealed almost entirely through dialogue, the put-upon animals’ solidarity is endearing. The story, like the circus train now driven by the Famous Flying Banana Brothers, takes absurd loops and turns. The art is fully integrated, illustrating the action and supplementing the text with speech bubbles, facsimile letters and posters, Brambles’ profit-and-loss notes, examples of Gert’s invented vocabulary and more. Brambles’ plans go awry, of course, and he gets his comeuppance. With Bert and Gert acting as his conscience, along with a suit from Gert that finally fits and a dose of forgiveness, Brambles makes a turnaround. Sensitive children may doubt Sir Sidney’s wisdom in leaving his animals with an unscrupulous man, and the closing message is a tad didactic, but that doesn’t blunt the fun too much.
Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)Pub Date: Sept. 10, 2013
ISBN: 978-1-61620-244-6
Page Count: 144
Publisher: Algonquin
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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by Kate Klise ; illustrated by M. Sarah Klise
by Kate Klise ; illustrated by M. Sarah Klise
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by Kate Klise ; illustrated by M. Sarah Klise
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