by Søren Kierkegaard translated by Alastair Hannay ‧ RELEASE DATE: March 3, 2014
A text that will appeal to philosophers and Kierkegaard-ians but will leave readers with more general interests...
Noted Kierkegaard scholar, translator and biographer Hannay (Emeritus, Philosophy/Univ. of Oslo; Kierkegaard: A Biography, 2001) offers a new translation of a little-known but significant work (1944) about the relationship between sin and anxiety.
Although Kierkegaard (1813–1855) claims in the preface that he plans to “write the book straight off as the bird sings its say,” many readers will find his words as similar to a bird’s song as a bird’s song is to a complex symphony. After some introductory remarks about thought, sin (which is not, he says, a sickness or an abnormality—far from it) and psychology, the philosopher begins with a disquisition on sin—specifically on original or “hereditary” sin. He notes that each individual’s first sin is analogous to Adam’s and declares, “Innocence is ignorance.” He then moves to anxiety, a feeling absent in Eden, he writes, until Adam faced something he couldn’t understand: the prohibition. Kierkegaard distinguishes between objective and subjective anxiety and notes the relationship to freedom: “Freedom’s possibility announces itself in anxiety.” He also makes a few clueless comments about the differences between men and women—comments that show that for all his erudition, he had a few things to learn. He describes each instant as “an atom of eternity,” then moves on to discussions of fate, guilt and evil, equating the demonic with “unfreedom.” He also explores the ways that we can lose freedom (a body’s betrayal, a spiritual loss) and ends with some pages about faith. The book has moments of clarity and flow but also sections of great density (one footnote is more than two pages long); the author cites the Bible extensively and often uses phrases from foreign languages, all of which the editor translates in brackets.
A text that will appeal to philosophers and Kierkegaard-ians but will leave readers with more general interests feeling…anxious.Pub Date: March 3, 2014
ISBN: 978-0-87140-719-1
Page Count: 288
Publisher: Liveright/Norton
Review Posted Online: Dec. 14, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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by Annie Dillard ‧ RELEASE DATE: March 13, 1974
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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by Charles Pellegrino ‧ RELEASE DATE: Sept. 1, 1994
In the latest leg of an idiosyncratic intellectual journey, Pellegrino looks at the stories of the Old Testament through the lenses of genetics, paleontology, and archaeology. Pellegrino (Unearthing Atlantis, 1990, etc.) has an autodidact's omnivorous curiosity to match his high-flying imagination. In this new hodgepodge, he expands on the speculations he put forward in his previous expedition into antiquity, in which he hypothesized that the volcano-buried Minoan city of Thera was the inspiration for the legendary Atlantis. Here he conjectures that when an eruption in the second millennium b.c. obliterated the Minoan civilization, its long-distance effects may have been responsible for the plagues of Egypt and the Aegean diaspora that brought the Philistines to Canaan. He also annexes other theories having to do with the contentious ``Mitochondrial Eve'' hypothesis (based on mitochondrial DNA research, it theorizes that genetic the mother of us all lived between 250,000 and 140,000 b.c.) and the Ark of the Covenant's wanderings. Using diverse scientific sources and historical perspectives—Sumerian clay tablets, Egyptian steles, the writings of Herodotus, and, naturally, the Bible—he ``telescopes'' anthropological and archaeological theories to fit Biblical myths like those of Noah and Nimrod, compressing patterns of history into oral tradition's legends. With a natural sense of storytelling, he blends theories of antiquity with the adventures of field work: He is best describing the modern difficulties of conducting digs in Gaza, Jericho, and Iraq (where he radically situates the Biblical Cities of the Plain destroyed by God's wrath). There is, however, a good deal of padding by this accidental archaeologist: reconstructed dialogue, digression, repetition, and flights of fancy that leave solid ground far below. For all its interdisciplinary breadth and originality, this reads like a beery breeze-shooting session with a college prof. (16 pages of b&w drawings, maps, not seen) (Author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-679-40006-0
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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