by St. Stephen's Community House ‧ RELEASE DATE: Nov. 1, 2012
This book’s empowering message is that how we identify and express our racial heritage belongs to us.
Rawly provocative, this anthology reflects its authors’ complex racial backgrounds and experiences. Like a photo mosaic, each piece stands alone while contributing to a bigger picture.
Originating with a Toronto community-center youth group, the project includes interviews of older, multiracial individuals offering historical perspective. Edgy layout, artwork and photos enhance stories and poems, amplifying the powerful emotions behind them. The assumption that racial heritage should be visible to all provokes pain and exasperation, as in Janine Berridge’s sassy poem about a hair stylist’s discomfort when confronted with hair she can’t “place.” Elizabeth Jennifer Hollo, Hungarian/Guyanese, eloquently describes how her father’s death severed her only connection to her European identity. Andrew Ernest Brankley presents a lively dialogue between his black and white selves. Native/Métis Montana Baerg wanted to dye her long dark hair but was afraid, she told her boss, that no one would know she was Native. The reply resonates: “What you look like doesn’t determine who you are. If you have purple or red hair, it doesn’t make you any less Native.” Navigating a racially essentialist world is especially challenging for multiracial teens, complicating developmental tasks like constructing identity beyond home and family. Whether visibly or invisibly multiracial (each has challenges), too often they’re labeled, stereotyped and sorted into categories determined by others.
This book’s empowering message is that how we identify and express our racial heritage belongs to us. (Anthology. 12 & up)Pub Date: Nov. 1, 2012
ISBN: 978-1-55451-380-2
Page Count: 120
Publisher: Annick Press
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Adam Eli ‧ RELEASE DATE: June 2, 2020
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
by George Takei & Justin Eisinger & Steven Scott ; illustrated by Harmony Becker ‧ RELEASE DATE: July 16, 2019
A powerful reminder of a history that is all too timely today.
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A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.
Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.
A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)Pub Date: July 16, 2019
ISBN: 978-1-60309-450-4
Page Count: 208
Publisher: Top Shelf Books
Review Posted Online: Aug. 4, 2019
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