This book’s empowering message is that how we identify and express our racial heritage belongs to us.
Rawly provocative, this anthology reflects its authors’ complex racial backgrounds and experiences. Like a photo mosaic, each piece stands alone while contributing to a bigger picture.
Originating with a Toronto community-center youth group, the project includes interviews of older, multiracial individuals offering historical perspective. Edgy layout, artwork and photos enhance stories and poems, amplifying the powerful emotions behind them. The assumption that racial heritage should be visible to all provokes pain and exasperation, as in Janine Berridge’s sassy poem about a hair stylist’s discomfort when confronted with hair she can’t “place.” Elizabeth Jennifer Hollo, Hungarian/Guyanese, eloquently describes how her father’s death severed her only connection to her European identity. Andrew Ernest Brankley presents a lively dialogue between his black and white selves. Native/Métis Montana Baerg wanted to dye her long dark hair but was afraid, she told her boss, that no one would know she was Native. The reply resonates: “What you look like doesn’t determine who you are. If you have purple or red hair, it doesn’t make you any less Native.” Navigating a racially essentialist world is especially challenging for multiracial teens, complicating developmental tasks like constructing identity beyond home and family. Whether visibly or invisibly multiracial (each has challenges), too often they’re labeled, stereotyped and sorted into categories determined by others.
This book’s empowering message is that how we identify and express our racial heritage belongs to us. (Anthology. 12 & up)Pub Date: Nov. 1, 2012
ISBN: 978-1-55451-380-2
Page Count: 120
Publisher: Annick Press
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
Small but mighty necessary reading.
A miniature manifesto for radical queer acceptance that weaves together the personal and political.
Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.
Small but mighty necessary reading. (resources) (Nonfiction. 14-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09368-9
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Brief yet inspirational, this story will galvanize youth to use their voices for change.
Testa’s connection to and respect for nature compelled her to begin championing animal causes at the age of 10, and this desire to have an impact later propelled her to dedicate her life to fighting plastic pollution. Starting with the history of plastic and how it’s produced, Testa acknowledges the benefits of plastics for humanity but also the many ways it harms our planet. Instead of relying on recycling—which is both insufficient and ineffective—she urges readers to follow two additional R’s: “refuse” and “raise awareness.” Readers are encouraged to do their part, starting with small things like refusing to use plastic straws and water bottles and eventually working up to using their voices to influence business and policy change. In the process, she highlights other youth advocates working toward the same cause. Short chapters include personal examples, such as observations of plastic pollution in Mauritius, her maternal grandparents’ birthplace. Testa makes her case not only against plastic pollution, but also for the work she’s done, resulting in something of a college-admissions–essay tone. Nevertheless, the first-person accounts paired with science will have an impact on readers. Unfortunately, no sources are cited and the lack of backmatter is a missed opportunity.
Brief yet inspirational, this story will galvanize youth to use their voices for change. (Nonfiction. 12-18)Pub Date: Oct. 13, 2020
ISBN: 978-0-593-22333-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: July 26, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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