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THE RULES

From the Project Paper Doll series , Vol. 1

The traditional cliffhanger ending leaves readers hungry for the next course.

A likable science-fiction romance features strong co-protagonists who know where they come from, but not who they are.

Born in a GenTex lab with human and extraterrestrial DNA, Ariane gives new meaning to “test tube baby.” A lab employee, now her adoptive dad, rescued her from a nightmarish, lab-rat existence, thwarting Dr. Jacobs’ plans to mold her into a designer weapon (her abilities include mind reading and telekinesis). Following strict rules and hiding in plain sight, Ariane’s evaded capture for a decade, but GTX is closer than she realizes. Popular, athletic and good-looking Zane coaxes her into revealing herself, while hiding from her the wounds inflicted by his mother’s abandonment and police-chief father’s contempt. Reluctantly drafted by Dr. Jacobs’ granddaughter, Rachel, the plot’s evil catalyst, into her scheme to humiliate Ariane, Zane instead is intrigued and attracted. Ariane’s long-blocked powers come roaring back when Rachel pushes her buttons. Struggling to unite the disparate strands of her identity, Ariane’s an appealing original who (in a welcome departure from YA orthodoxy) does not have beauty-queen looks of which she’s modestly unaware. She and Zane know precisely where she stands in the appearance hierarchy. Cartoonishly evil, Dr. Jacobs and Rachel are less persuasive.

The traditional cliffhanger ending leaves readers hungry for the next course. (Science fiction. 12 & up)

Pub Date: April 23, 2013

ISBN: 978-1-4231-5328-3

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: Feb. 5, 2013

Kirkus Reviews Issue: March 1, 2013

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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