by Staci Lola Drouillard ; illustrated by Kate Gardiner ‧ RELEASE DATE: May 7, 2024
A poignant illustration of how our roots keep us grounded amid change.
When an Ojibwe family moves, they bring a beloved spruce sapling with them.
As Francis grows up, so does Gaawaandagoonce (an Ojibwemowin word meaning "little spruce tree"). The sapling—gendered female in the text—is planted in the center of Grandma’s garden when Francis is just a baby. Both tree and child put down roots on the shore of Gichigamiing, or Lake Superior, building their connection to each other and to the land. Francis’ grandparents are slowing down in their old age, and it’s now time for Grandma, Grandpa, and Francis to leave their beloved home. They decide to bring Gaawaandagoonce with them. Grandpa and Francis gently dig up the tree, disentangle her roots from those of the trees surrounding her, and wrap the well-watered transplant in a blanket. Together, the family and Gaawaandagoonce replant in a new place. “At first, change is hard on trees—and on people too.” Drouillard, a Grand Portage band of Ojibwe descendant, and Gardiner, a member of the Chaubunagungamaug band of Nipmuck Indians, expertly weave together Francis and Gawaandagoonce’s grief and growth, conveying the heartbreak and resilience that often accompany transition while honoring Ojibwe values and language. Rendered in gouache and colored pencil images, Gardiner’s artwork relies on a subdued palette and spare compositions, evoking feelings of tenderness and emphasizing the importance of connection and having space to adapt.
A poignant illustration of how our roots keep us grounded amid change. (author’s note, information on white spruce trees, Ojibwemowin glossary) (Picture book. 4-9)Pub Date: May 7, 2024
ISBN: 9780063242463
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
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by Karen English ; illustrated by Laura Freeman ‧ RELEASE DATE: Dec. 17, 2013
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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