God is a stand-up comic. Jesus is a surly, ungrateful kid. Hell is "the ultimate inner city." And Stanley Elkin is still the most mordant, acrobatic phrasemaker around: his savage ironies rat-a-tat-tat through these three interrelated stories, all about death and religion (a freeform Judeo-Christian mix), and the lousy way God has arranged things. There's simply no justice—as Minneapolis liquor-store owner Ellerbee discovers when he's killed in a hold-up and finds himself in Hell after a brief glimpse of pearly Heaven. True, Ellerbee was generous, kind, and decent, but God ("Hi. . . . I'm the Lord. Hot enough for you?") gets him anyway on various technical infractions. After a few decades down Below, Ellerbee strikes up a chumship with a newcomer—one of the holdup men who killed him. . . and went on to a long, healthy life. And the third disgruntled resident of Elkin's Hell is a cemetery groundskeeper outraged to be struck down: "I take low-cal minerals, I'm strictly salt-free. I eat corrective lunch!" And so it goes, with Elkin toying fiendishly with religious myths, ideas about death, Bible stories, Dante, and all—culminating in God's explanations of Everything ("He explained why children suffered and showed them how to do the latest disco steps") and with the revelation that Goodness has nothing to do with the way history has been arranged. Why, then, is everything the way it is? "Because it makes a better story is why"—God's an artist in search of the perfect audience. If you have a feeling that all this irreverent stuff has been done before, you're mostly right—for example, there's Bruce Jay Friedman's play Steambath (with God as a Puerto Rican bath attendant). And Elkin can't resist easy jokes (that Woody Allen makes better), can't break some of his stylistic tics that have become self-parody, and can't put his fragments together in a way that really builds up a satisfying whole book. But his imagination is often a creepy marvel—especially in a voice-from-the-grave cemetery sequence—and his wordplay at its best is both thought-provoking and hilarious. Spotty, minor work, perhaps—but flash after flash of real brilliance.
Pub Date: June 12, 1979
ISBN: 1564783421
Page Count: 162
Publisher: Dutton
Review Posted Online: March 28, 2012
Kirkus Reviews Issue: June 1, 1979
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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