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MRS. TED BLISS

An extremely vexing if entertaining novel about an 80-year-old Jewish widow, by the late master of obsessive dark humor (Van Gogh's Room at Aries, 1993, etc.). Dorothy Bliss is a recent widow who moved with her husband to Miami after he retired as a butcher 20 years ago. Through the course of the story Elkin reveals in great detail every nuance of the rather dull life of Mrs. Bliss, a devoted homemaker who never dared to "color outside the lines." We learn of her two living children and numerous grandchildren and other minor relatives—Mrs. Bliss keeps careful records of how much money she gives to each of them on every holiday, making sure that no one gets more than any of the others. We hear of the trauma of her oldest son's death from cancer at an early age. And we learn all about her fastidious cleaning habits. She leads such an ordinary, predictable life that her drug-smuggling South American neighbors conspire to use her and her dead husband's car as a front for their operation. But the amusing drug-running bit is only a ruse to tease you into thinking there's a plot. In fact, there's isn't so much a plot as an accumulation of detail about Mrs. Bliss. At first the repetitive, seemingly trivial anecdotes are grating, but Elkin's long poetic sentences about seemingly mundane minutiae subtly compound, and his central character gradually takes on a profound weight. By the end, when she's alone in her condo waiting for the killer hurricane that is bearing down on Miami, Mrs. Ted Bliss seems like a mythic character, the scene the Gutterdemmerung of the Jewish-American Mother. A fiendish and, by end, thoroughly engrossing life study.

Pub Date: Sept. 7, 1995

ISBN: 0-7868-6104-5

Page Count: 304

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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