by Stanley Weintraub ‧ RELEASE DATE: Oct. 7, 1993
Disraeli (1804-81) was an outsider who cultivated the art of letters as successfully as he practiced the craft of politics. Here, Weintraub (Arts and Humanities/Pennsylvania State University; Long Day's Journey into War, 1991, etc.) meticulously traces the British PM's life and personae. Son of a minor literary antiquarian, Disraeli—partly because, as a Jew, he was excluded from most other professions—began at age 21 to write social and political novels. Mysterious, prodigal, and theatrical, he cultivated a Byronic style as a womanizer and dandy, even undertaking a tour of the Mideast. His charm and charisma helped him overcome the many barriers to public office, and, in 1868, he became PM and confidant to the enfeebled Queen Victoria, permitting him, as he put it, to hold the ``top of the greasy pole'' as the leader of England during its imperial age. Unable to accomplish domestic reform in Parliament, he expressed his radicalism in his many influential novels, especially Coningsby (1844), Sybil (1845), and Tancred (1847), evoking the horrid conditions of the poor, the ineffectualness of the law, the irrelevance of the aristocracy, and the spiritual poverty of the Church. In his unique aphoristic style, Disraeli claimed to ``live for Power and the Affections,'' finding love among many women; marrying, in order to escape debt, a 40-ish widow 12 years his senior; reputedly fathering two illegitimate children; and flirting with a whole series of women when, in his 60s, he was at the height of his political power. ``Somehow,'' Weintraub says, ``England survived Disraeli's separation from reality.'' With erudition and zest, Weintraub explains the byzantine nature of 19th-century politics, the significance of Disraeli's Jewishness, and the relation between the fiction and reality. But the inner life eludes him—just as it seems to have eluded Disraeli. (Sixteen pages of b&w photographs—not seen)
Pub Date: Oct. 7, 1993
ISBN: 0-525-93668-8
Page Count: 720
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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