Seventeen-year-old Anouk accepts an invitation to assist with an academic exploration of a 200-year old underground palace but instead finds herself trapped in an extensive and elaborate set of deadly underground rooms.
Anouk’s contemporary story intertwines with frequent flashbacks to the aristocratic family that built the underground palace at the time of the French Revolution. In that timeline, Aurélie and her sisters reluctantly descend to the recently completed palace when a mob of revolutionaries attacks their home in 1789. Now, Anouk and four other teens realize early that they’ve been recruited to a fraudulent project and that their captors intend to kill them. They race through the palace, each room adorned in almost carnival-like pre-Revolutionary décor and most equipped with devious devices meant to murder them. One room shoots razors, another metal globes, and another contains blue containers that spew deadly gas. But why were they targeted for this particularly baroque murder? Bachmann keeps the pages turning with this thriller that, for most of the book, appears to have no explanation. Although he develops Anouk quite well as a lonely character who has been estranged from her wealthy family, her friends remain one-dimensional. The peculiar circumstances add to the strange atmosphere and also to the suspense, lending the book an appealing, unworldly quality. When the explanation finally arrives, it fits quite well with the odd atmosphere.
Bizarre and hugely suspenseful. (Horror. 12-18)Pub Date: March 15, 2016
ISBN: 978-0-06-228992-6
Page Count: 464
Publisher: Greenwillow Books
Review Posted Online: Dec. 22, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Did you like this book?
A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.
Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.
Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)Pub Date: Aug. 27, 2013
ISBN: 978-0-06-186297-7
Page Count: 208
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 3, 2013
Kirkus Reviews Issue: July 15, 2013
Did you like this book?
Testing the strength of family bonds is never easy—and lies make it even harder.
Daunis is trying to balance her two communities: The Sault Ste. Marie, Michigan, teen is constantly adapting, whether she is with her Anishinaabe father’s side of the family, the Firekeepers, or the Fontaines, her White mother’s wealthy relatives. She has grand plans for her future, as she wants to become a doctor, but has decided to defer her plans to go away for college because her maternal grandmother is recovering from a stroke. Daunis spends her free time playing hockey with her Firekeeper half brother, Levi, but tragedy strikes, and she discovers someone is selling a dangerous new form of meth—and the bodies are piling up. While trying to figure out who is behind this, Daunis pulls away from her family, covering up where she has been and what she has been doing. While dealing with tough topics like rape, drugs, racism, and death, this book balances the darkness with Ojibwe cultural texture and well-crafted characters. Daunis is a three-dimensional, realistically imperfect girl trying her best to handle everything happening around her. The first-person narration reveals her internal monologue, allowing readers to learn what’s going on in her head as she encounters anti-Indian bias and deals with grief.
A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status. (Thriller. 14-18)Pub Date: March 16, 2021
ISBN: 978-1-250-76656-4
Page Count: 496
Publisher: Henry Holt
Review Posted Online: Dec. 10, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Did you like this book?
© Copyright 2021 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
