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THE WHATNOT

It’s a bleak and breathless read, one that will have readers hoping for a peaceful outcome as fervently as its characters...

At the end of The Peculiar (2012), Bachmann’s debut, the evil faery Mr. Lickerish had used half-faery Bartholomew’s little sister, Hettie, as a Door to open the way between England and the Old Country; here is what happens next.

Years have passed in England, and humans are winning the country back from the faeries. One-eyed orphan Pikey (his other was stolen one night, a clouded, useless orb left in its place) ekes out a meager existence in London’s underbelly. When a faery returns a favor with an astonishing gem, he tries to pawn it and, predictably, ends up in deep trouble. Meanwhile, Hettie struggles to survive in the Old Country, where just a few days have passed. Captured by the lady Piscaltine and kept as her pet Whatnot, Hettie waits in terror for Bartholomew to rescue her. The story alternates between the Old Country and England, between twig-haired Hettie and Pikey; somehow, he can see her through his clouded eye, which makes him very valuable to Bartholomew, who rescues him from jail for its sake. Bachmann unleashes his boundless imagination in his descriptions of the Old Country, whose rules and landscape are capricious and ever-changing. Hettie’s terror is well-justified. Detail upon baroque detail piles up as Bartholomew and Pikey race to find Hettie, the war between humans and faeries inevitably catching them up in it—as does friendship.

It’s a bleak and breathless read, one that will have readers hoping for a peaceful outcome as fervently as its characters do. (Fantasy. 10-15)

Pub Date: Sept. 24, 2013

ISBN: 978-0-06-219521-0

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: Aug. 30, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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WESTFALLEN

From the Westfallen series , Vol. 1

Compulsively readable; morally uncomfortable.

Six New Jersey 12-year-olds separated by decades race to ensure the “good guys” win World War II in this middle-grade work by the author of The Sisterhood of the Traveling Pants and her brother, a children's author and journalist.

It all starts with a ham radio that Alice, Lawrence, and Artie fool around with in 1944 and Henry, Frances, and Lukas find in 2023. It’s late April, and the 1944 kids worry about loved ones in combat, while the 2023 kids study the war in school. When, impossibly, the radio allows the kids to communicate across time, it doesn’t take long before they share information that changes history. Can the two sets of kids work across a 79-year divide to prevent the U.S.A. from becoming the Nazi-controlled dystopia of Westfallen? This propulsive thriller includes well-paced cuts between times that keep the pages turning. Like most people in their small New Jersey town, Alice, Artie, and Frances are white. In 1944, Lawrence, who’s Black, endures bigotry; in the U.S.A. of 2023, Henry’s biracial (white and Black) identity and Lukas’ Jewish one are unremarkable, but in Westfallen, Henry’s a “mischling” doing “work-learning,” and Lukas is a menial laborer. Alice’s and Henry’s dual first-person narration zooms in on the adventure, but readers who pull back may find themselves deeply uneasy with the summary consideration paid to the real-life fates of European Jews and disabled people. The cliffhanger ending will have them hoping for more thoughtful treatment in sequels to come.

Compulsively readable; morally uncomfortable. (Science fiction/thriller. 10-13)

Pub Date: Sept. 17, 2024

ISBN: 9781665950817

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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