Incoherent plot, wooden dialogue, clumsy prose: in a word, abysmal. Cameron should be ashamed.
More sex and murder and boudin sausage, from Cameron (Key West, 1999, etc.).
Not that this uninspired lot of one-dimensional characters talk like they’re from Louisiana, with a few minor exceptions. But here we’re in a forgotten parish, heading to a crumbling plantation house called Rosebank, which a mother and her grown daughter hope to restore to its former grandeur. Charlotte and Vivian have plans to turn it into a hotel, though they don’t have two nickels to rub together. But what about the priceless treasure that’s rumored to be hidden somewhere in the house or on the property? When their lawyer heads over in his powder-blue Jag with information that might make them rich, someone else gets involved . . . and puts up a detour sign and blocks the road . . . and puts on a strange mask . . . and rubber gloves . . . and pulls out a big, sharp knife. Scared yet, campers? Okay, let’s turn off the flashlight and wait until it gets really dark. Let’s go walking with our cute little dog and find the lawyer’s almost decapitated corpse. Let’s recapitulate the decapitation to the point of irritation, for the benefit of a clueless detective and a renegade sheriff named Spike Devol, an aw-shucks he-man and stud. Gee, daughter Vivian looks a little down in the dumps to Spike. Maybe some mind-blowing sex will make her smile. (It does.) Maybe his cute little daughter will enjoy playing with her cute little dog later on. (Yep.) Back to the, um, murder. How come their socialite neighbor Susan Hurst has been hanging around so much? And what’s up with her hip-wiggling, bitch-in-heat daughter Olympia? Susan’s second husband Morgan Link doesn’t seem to be exactly a pillar of the community either. Brace yourself, cher, for an unbelievably disgusting sex scene involving a hogtied Susan and out-of-control Morgan, watched by naked Olympia, who then forces herself sexually upon her screaming mother. Does anyone need to throw up now? Wait . . . there’s more and it’s just as bad.
Incoherent plot, wooden dialogue, clumsy prose: in a word, abysmal. Cameron should be ashamed.Pub Date: Nov. 1, 2003
ISBN: 1-55166-745-2
Page Count: 400
Publisher: Harlequin MIRA
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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