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THEODORA

ACTRESS, TEMPTRESS, WHORE

Although heavy on the sex and sensationalism, there’s also intelligence and empathy under the energetic potboiler surface.

The unexpurgated story of Theodora, performer and prostitute in Roman Constantinople, destined to rise above her hardscrabble life to become the Emperor’s wife. The book is being for HBO.

British novelist Duffy (State of Happiness, 2004) uses modern vocabulary to enliven her historical novel— “bitch,” “slut,” “bloke” and worse pepper the pages as she recounts the lurid life of the bear-keeper’s daughter trained for the stage from age five. A quick mind, a bold spirit, innate talent and a merciless teacher render Theodora a star by age 12 when she also starts work as a whore. At 17, bored but ambitious, she leaves Constantinople with her lover Hecebolus, the new Governor of the Pentapolis in Africa, but that relationship ends when Hecebolus takes another lover. Desperate to return to Constantinople, Theodora pretends to be a penitent Christian for the chance of a voyage home. This role, begun cynically, later turns sincere, and she agrees to work undercover for the church. Back in Constantinople she is introduced to Justinian, the Emperor’s favorite nephew, who likes her so much he changes the law forbidding actresses to marry in order to wed her. Now the stage is set for Theodora’s legitimization, first as wife, next as the Emperor’s consort. A sequel is rumored.

Although heavy on the sex and sensationalism, there’s also intelligence and empathy under the energetic potboiler surface.

Pub Date: Oct. 1, 2011

ISBN: 978-0-14-311987-6

Page Count: 352

Publisher: Penguin

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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THE KITCHEN HOUSE

Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.

Irish orphan finds a new family among slaves in Grissom’s pulse-quickening debut.

Lavinia is only six in 1791, when her parents die aboard ship and the captain, James Pyke, brings her to work as an indentured servant at Tall Oaks, his Virginia plantation. Pyke’s illegitimate daughter Belle, chief cook (and alternate narrator with Lavinia), takes reluctant charge of the little white girl. Belle and the other house slaves, including Mama Mae and Papa George, their son Ben, grizzled Uncle Jacob and youngsters Beattie and Fanny, soon embrace Lavinia as their own. Otherwise, life at Tall Oaks is grim. Pyke’s wife Martha sinks deeper into laudanum addiction during the captain’s long absences. Brutal, drunken overseer Rankin starves and beats the field slaves. The Pykes’ 11-year-old son Marshall “accidentally” causes his young sister Sally’s death, and Ben is horribly mutilated by Rankin. When Martha, distraught over Sally, ignores her infant son Campbell, Lavinia bonds with the baby, as well as with Sukey, daughter of Campbell’s black wet nurse Dory. Captain Pyke’s trip to Philadelphia to find a husband for Belle proves disastrous; Dory and Campbell die of yellow fever, and Pyke contracts a chronic infection that will eventually kill him. Marshall is sent to boarding school, but returns from time to time to wreak havoc, which includes raping Belle, whom he doesn’t know is his half-sister. After the captain dies, through a convoluted convergence of events, Lavinia marries Marshall and at 17 becomes the mistress of Tall Oaks. At first her savior, Marshall is soon Lavinia’s jailer. Kindly neighboring farmer Will rescues several Tall Oaks slaves, among them Ben and Belle, who, unbeknownst to all, was emancipated by the captain years ago. As Rankin and Marshall outdo each other in infamy, the stage is set for a breathless but excruciatingly attenuated denouement.

Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.

Pub Date: Feb. 2, 2010

ISBN: 978-1-4391-5366-6

Page Count: 384

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2009

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THE YELLOW BIRD SINGS

A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of...

Rosner’s debut novel is a World War II story with a Room-like twist, one that also deftly examines the ways in which art and imagination can sustain us.

Five-year-old Shira is a prodigy. She hears entire musical passages in her head, which “take shape and pulse through her, quiet at first, then building in intensity and growing louder.” But making sounds is something Shira is not permitted to do. She and her mother, Róża, are Jews who are hiding in a barn in German-occupied Poland. Soldiers have shot Róża’s husband and dragged her parents away, and after a narrow escape, mother and daughter cower in a hayloft day and night, relying on the farmer and his wife to keep them safe from neighbors and passing patrols. The wife sneaks Shira outside for fresh air; the husband visits Róża late at night in the hayloft to exact his price. To keep Shira occupied and quiet the rest of the time, Róża spins tales of a little girl and a yellow bird in an enchanted but silent garden menaced by giants; only the bird is allowed to sing. But when Róża is offered a chance to hide Shira in an orphanage, she must weigh her daughter’s safety against her desire to keep the girl close. Rosner builds the tension as the novel progresses, wisely moving the action out of the barn before the premise grows tired or repetitive. This is a Holocaust novel, but it’s also an effective work of suspense, and Rosner’s understanding of how art plays a role in our lives, even at the worst of times, is impressive.

A mother and her child-prodigy daughter struggle to survive the Holocaust by telling stories and remembering the power of music.

Pub Date: March 3, 2020

ISBN: 978-1-250-17977-7

Page Count: 304

Publisher: Flatiron Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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