Though tart noir specialist Duffy (The Hidden Room, 2017, etc.) might seem an unlikely choice to flesh out the skeleton...

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MONEY IN THE MORGUE

Marsh (1895-1982) gets her turn at resurrection in a posthumous tale, barely begun during World War II and set aside, that finds Scotland Yard’s DCI Roderick Alleyn sorely distracted from his secret mission in Marsh’s native New Zealand by the alarums and excursions of one wild night.

Talk about good timing. Aspiring engineer Sydney Brown has never taken the trouble to visit his distant grandfather, a local farmer who’s dying in Mount Seager Hospital, until the night the old man actually expires. Before Matron Isabelle Ashdown or her lieutenant, the amusingly misnamed Sister Gertrude Comfort, can do more than express preliminary condolences to Brown’s young heir, old Mr. Brown’s corpse disappears from night porter Will Kelly’s trolley, replaced by nothing less than the body of the matron. Also missing, and presumably connected, is the 1,000 pound payroll matron had made delivery clerk Jonty Glossop deposit in the hospital’s safe, along with a bonus: the 100 pounds Records Office clerk Rosamund Farquharson, back home from London, had won by backing rank outsider Lordly Stride. Although a storm has knocked out all communications with the outside world, Marsh’s franchise hero just happens to be on hand, summoned to gather information on some sinister coded wartime radio messages, and he instantly takes the case in hand. Over the course of the night, Alleyn interviews West End actress/Red Cross driver Sarah Warne, London physician Luke Hughes, a trio of convalescent soldiers chafing to get back to the war, and the local priest, Father O’Sullivan. They’re all hiding secrets, even the priest, and Alleyn serves less as an interrogator than a father confessor to all of them.

Though tart noir specialist Duffy (The Hidden Room, 2017, etc.) might seem an unlikely choice to flesh out the skeleton Marsh left behind, fans will be hard-pressed to find the joint between the two writers. Only the interminable denouement departs from Marsh’s ruthlessly efficient last acts.

Pub Date: Nov. 7, 2018

ISBN: 978-1-63194-172-6

Page Count: 312

Publisher: Felony & Mayhem

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

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SHAKESPEARE FOR SQUIRRELS

Manic parodist Moore, fresh off a season in 1947 San Francisco (Noir, 2018), returns with a rare gift for Shakespeare fans who think A Midsummer Night’s Dream would be perfect if only it were a little more madcap.

Cast adrift by pirates together with his apprentice, halfwit giant Drool, and Jeff, his barely less intelligent monkey, Pocket of Dog Snogging upon Ouze, jester to the late King Lear, washes ashore in Shakespeare’s Athens, where Cobweb, a squirrel by day and fairy by night, takes him under her wing and other parts. Soon after he encounters Robin Goodfellow (the Puck), jester to shadow king Oberon, and Nick Bottom and the other clueless mechanicals rehearsing Pyramus and Thisby in a nearby forest before they present it in celebration of the wedding of Theseus, Duke of Athens, to Hippolyta, the captive Amazon queen who’s captured his heart, Pocket (The Serpent of Venice, 2014, etc.) finds Robin fatally shot by an arrow. Suspected briefly of the murder himself, he’s commissioned, first by Hippolyta, then by the unwitting Theseus, to identify the Puck’s killer. Oh, and Egeus, the Duke’s steward, wants him to find and execute Lysander, who’s run off with Egeus’ daughter, Hermia, instead of marrying Helena, who’s in love with Demetrius. As English majors can attest, a remarkable amount of this madness can already be found in Shakespeare’s play. Moore’s contribution is to amp up the couplings, bawdy language, violence, and metatextual analogies between the royals, the fairies, the mechanicals, his own interloping hero, and any number of other plays by the Bard.

A kicky, kinky, wildly inventive 21st-century mashup with franker language and a higher body count than Hamlet.

Pub Date: May 12, 2020

ISBN: 978-0-06-243402-9

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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