A breezy narrative that offers a couch-level view of Iran that you won’t find in travel guides.
A German-based journalist chronicles his travels to Iran.
Throughout this book, Orth, the former online travel editor for Der Spiegel, dispels myths about Iranians, whom he shows to be friendly, flirty (especially in text messages), warm, great dancers, and uncommonly hospitable. When he asked why Iranians hate America, one of his couchsurfing hosts responded, “not the Iranians—the government.” As the author demonstrates, when people are connecting with people on a personal level, the enmity that exists on the official level dissipates. One Iranian told Orth something that he loved so much he adopted the adage as his own, and he closes two consecutive chapters with it: “There are no bad places if the reason you are traveling is to meet people.” He met a wide variety of people at vacation oases, parties (featuring dancing and alcohol among other forbidden fruits), battlefields that serve as memorials, and especially in homes, where strangers open their doors as hosts. This book is as much about the titular method of vacationing as it is about the destination, as “couchsurfing,” though officially forbidden and theoretically in violation of the law, proved to be a particularly effective way of getting to know these people. And the trend is worldwide; the author documents how “fourteen million couchsurfers, hundreds of thousands of members of Hospitality Club, BeWelcome, Global Freeloaders, and Warm Showers, open their doors to strangers.” A phenomenon facilitated by the internet and smartphones, couchsurfing allows for cultural exchange outside the conventional channels of tourism, in a realm where money rarely changes hands. It is here that Orth revels in the paradoxes and contradictions he encountered—how Adele can be so popular in a country where women are forbidden to sing in public, how a public stance of religious fundamentalism becomes far more relaxed, even defied, in private, and how Iranians struggle with concepts of courtship and marriage that seem alien to Western visitors.
A breezy narrative that offers a couch-level view of Iran that you won’t find in travel guides.Pub Date: May 1, 2018
ISBN: 978-1-77164-280-4
Page Count: 240
Publisher: Greystone Books
Review Posted Online: March 5, 2018
Kirkus Reviews Issue: March 15, 2018
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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